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- GRINDHOUSE SPECIAL BLU-RAY ED. (BLU-RAY DISC)
Wednesday, January 18, 2012
Grindhouse (Two-Disc Collector's Edition) [Blu-ray]
Cry Wolf (Alpha and Omega, Book 1)
- ISBN13: 9780441016150
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The Marrok says that his enforcer is flying from Montana to O'Hare. Anna meets the plane, and, Charles, enforcer, as well as the Marrok's oldest son, insists on staying with her. He has seen she is not the Submissive she thinks she is. Charles is a supreme Alpha, and she is his antithesis, a rare Omega; her very presence lowers tension, calms and soothes. Despite centuries as a Solitary, Charles would wed young Anna. His brother wolf, he says, has already taken her as his mate.
There are, as investigation and confrontation reveal, reasons both for the capture of the boy and for what has been done to Anna. It's a surprisingly tender story.Come along on the ultimate road-trip adventure that will leave the whole family howling with laughter! When Kate, a take-charge “Alpha†wolf, and Humphrey, a laid-! back “Omega†wolf, get snatched by park rangers and reloca! ted half way across the country, the two must set off on an incredible journey home! With the help of a goofy golfing goose and his quacky duck caddy, Kate and Humphrey won’t let anything stop them â€" prickly porcupines, grumpy bears, even a speeding locomotive â€" from getting back to Jasper Park in time to help save their pack from rival wolves! And along the way, Kate and Humphrey learn that even though they are complete opposites, they make a pretty good team! It’s a thousand miles of fun in this wildly entertaining journey the whole pack can enjoy together!Love is blind to the rules of tradition, opposites attract, and both clichés apply quite nicely to the wolves in Alpha and Omega. In the wolf world, the pack values the omega wolves' skill of defusing tense situations with humor just as much as they value the keen leadership skills of the alpha wolves, but tradition dictates that alpha wolves don't mate with omega wolves. So, when the all-business alpha wolf Kate ! (Hayden Panettiere) and the fun-seeking omega wolf Humphrey (Justin Long) find themselves attracted to one another, the pair resign themselves to a life apart, and Kate agrees to a match with alpha male Garth (Chris Carmack) from a rival pack in order to peacefully merge the two packs into one. But when Humphrey and Kate are tranquilized in their home in Jasper National Forest, Canada, and relocated to Sawtooth Forest far away in Idaho, the two discover that not only can opposites work very well together, but that neither of them can continue to ignore their attraction for the other. The question is, will working together, combined with a little help from a golf-playing goose and his duck caddy, be enough to get the pair all the way back to Jasper National Park before the rival wolf packs tear one another apart at the next full moon? And what will become of their relationship if they do return in time? This animated 3-D film is amusing and entertaining, if not particularly ! outstanding. A lot of the humor is pretty corny and the plot h! as been done many times before (think Open Season 2), but the characters are likable, the action is pretty good, and who can resist chuckling at images like a retired, golf-playing French-Canadian goose or the distractive powers of a good cupcake? (Ages 5 and older) --Tami HoriuchiIn Cry Wolf, New York Times bestselling author Patricia Briggs started a new urban fantasy series set in the world of Mercy Thompson but with rules of it’s own. Now, read the eSpecial, Alpha and Omega, the novella that inspired the new series, and see how it all began.
Anna Latham never knew werewolves existed, until the night she survived a violent attack and became one herself. After three years at the bottom of the Chicago pack, she's learned to keep her head down and never, ever trust dominant males. But when she discovers wrongdoing in her pack, she has to go above her Alpha's head to ask for help.
Charles Cornick is the son and enforcer of the leader of th! e North American werewolves. Now his father has sent him to Chicago to clean up a problem there. Charles never expected to find Anna, a rare Omega wolf and he certainly never expected to recognize her as his mateIn Cry Wolf, New York Times bestselling author Patricia Briggs started a new urban fantasy series set in the world of Mercy Thompson but with rules of it’s own. Now, read the eSpecial, Alpha and Omega, the novella that inspired the new series, and see how it all began.
Anna Latham never knew werewolves existed, until the night she survived a violent attack and became one herself. After three years at the bottom of the Chicago pack, she's learned to keep her head down and never, ever trust dominant males. But when she discovers wrongdoing in her pack, she has to go above her Alpha's head to ask for help.
Charles Cornick is the son and enforcer of the leader of the North American werewolves. Now his father has sent him to Chicago to clean up a p! roblem there. Charles never expected to find Anna, a rare Omeg! a wolf a nd he certainly never expected to recognize her as his mateAnna never knew werewolves existed until the night she survived a violent attack...and became one herself. After three years at the bottom of the pack, she'd learned to keep her head down and never, ever trust dominant males.
Beowulf
- ISBN13: 9780192723697
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Black Hole
- ISBN13: 9780375714726
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
1998 Ignatz Award Winner, Outstanding Graphic Novel: The inspiration for the feature film and one of the most acclaimed graphic novels ever.
Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apart. Dani! el Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus. Adapted into a major motion picture directed by Terry Zwigoff (director of the acclaimed documentary Crumb), which was nominated for an Academy Award for Best Adapted Screenplay. This graphic novel is a must for any self-respecting comics fan's library. Two-color comics throughoutDan Clowes described the story in Ghost World as the examination of "the lives of two recent high school graduates from the advantaged perch of a constant and (mostly) undetectable eavesdropper, with the shaky detachment of a scientist who has grown fond of the prize microbes in his petri dish." From this perch comes a revelation about adolescence that is both subtle and coolly beautiful. Critics have pointed out Clowes's cynicism and vicious social commentary, but if you concentrate on those aspects, you'll miss the exquisite whole that Clowes has captured. Each chapte! r ends with melancholia that builds towards the amazing, detac! hed, gho stlike ending. Thora Birch (American Beauty) and Scarlett Johansson (Lost in Translation) "sneak into your heart and stay there" (Rolling Stone) in this "eerie, masterful movie" (Movieline) from the acclaimed director of Crumb. Co-starring Brad Renfro (Deuces Wild), Illeana Douglas (Stir of Echos) and Steve Buscemi (Fargo) in "the best role of his career" (Movieline), Ghost World is a "smartly strange comedy [that] stands out like the Taj Mahal" (Time)! While their classmates head for college, Enid (Birch) and Rebecca (Johansson) focus their energies on tormenting those around them - from a goofy convenience store clerk (Renfro) to an eccentric art teacher (Douglas). But when they zero in on an oddball loner (Buscemi) looking for Miss Right, their seemingly innocent meddling threatens to shatter one of their hearts not to mention their lifelong friendship.If you've ever felt alienated by the world around you, Ghost World will offer laughter, tears, and reassurance t! hat you are definitely not alone. Adapted by Daniel Clowes and Crumb director Terry Zwigoff from Clowes's acclaimed graphic novel, the movie spends summer vacation with high school graduates Enid (Thora Birch) and Rebecca (Scarlet Johansson). They inflict little tortures on the denizens of urban sprawl, wielding scathing irony as a defense against a "ghost world" full of pop-cultural lemmings and uncertain futures. But when Enid picks a 40-ish vintage-record collector (Steve Buscemi) as the target of her latest cruel prank, she finds herself unexpectedly attracted to him ("he's the opposite of everything I completely hate") and is forced to confront her own crushing loneliness. This combination of deadpan sarcasm and deeply compassionate humanity makes Ghost World a rare and delicate comedy, with an ambiguous ending that suggests tragedy or hope, depending on your own point of view. --Jeff Shannon Dan Clowes described the story in Ghost World as the exa! mination of "the lives of two recent high school graduates fro! m the ad vantaged perch of a constant and (mostly) undetectable eavesdropper, with the shaky detachment of a scientist who has grown fond of the prize microbes in his petri dish." From this perch comes a revelation about adolescence that is both subtle and coolly beautiful. Critics have pointed out Clowes's cynicism and vicious social commentary, but if you concentrate on those aspects, you'll miss the exquisite whole that Clowes has captured. Each chapter ends with melancholia that builds towards the amazing, detached, ghostlike ending. --This text refers to an out of print or unavailable edition of this title.It's easy to say ghosts exist or don't exist. Anyone can do that. Trying to figure out the why or what is a different story. Paranormal investigator Zak Bagans, host of the popular Travel Channel series Ghost Adventures, pulls from his years of experience with paranormal activities and unexplained phenomena to provide an evenhanded look at a divisive subject. In Dark World, regardless of whether you believe in the afterlife or not, Zak does his best to find and share answers to the phenomena that people encounter. He wants you to experience a haunting through his eyes: to feel what it's like to be scared, freaked out, pushed, cold, sluggish, whispered-at and touched by an ethereal being or attacked by a demonic spirit. But beyond simply experiencing these events, Zak is looking for the reasons behind them, searching for answers to the unanswered questions. Addressing all the major issues and theories of the field in an impartial way, Dark World is a must read for paranormal enthusiasts, those who don't believe and anyone who's ever wondered about things that go bump in the night.
On January 28, 1945, 121 hand-selected U.S. troops slipped behind enemy lines in the Philippines. Their mission: March thirty rugged miles to rescue 513 POWs languishing in a hellish camp, among them the last survivors of the infamous Bata! an Death March. A recent prison massacre by Japanese soldiers ! elsewher e in the Philippines made the stakes impossibly high and left little time to plan the complex operation.In Ghost Soldiers Hampton Sides vividly re-creates this daring raid, offering a minute-by-minute narration that unfolds alongside intimate portraits of the prisoners and their lives in the camp. Sides shows how the POWs banded together to survive, defying the Japanese authorities even as they endured starvation, tropical diseases, and torture. Harrowing, poignant, and inspiring, Ghost Soldiers is the mesmerizing story of a remarkable mission. It is also a testament to the human spirit, an account of enormous bravery and self-sacrifice amid the most trying conditions.The Bataan Death March was just the beginning of the woes American soldiers captured by the Japanese army in the Philippines had to endure. The survivors of the march faced not only their captors' regular brutality (having surrendered, they were considered to be less than honorable foe! s), but also a host of illnesses such as dysentery and malaria. For three years these "ghost soldiers" lived in misery, suffering terrible losses.
When Army Rangers among Douglas MacArthur's forces arrived in the Philippines, they hatched a daring plan to liberate their captured comrades, a mission that, if successful, would prove to be a tremendous morale booster at the front and at home. Led by a young officer named Henry Mucci (called "Little MacArthur" for his constant pipe as well as his brilliance as a strategist), a combined Ranger and Filipino guerrilla force penetrated far behind enemy lines, attacked Japanese forces guarding Allied prisoners at a jungle outpost called Cabanatuan, and shepherded hundreds of prisoners to safety, with an angry Japanese army in hot pursuit. Amazingly, they suffered only light casualties.
In Ghost Soldiers, journalist Hampton Sides recounts that daring rescue, once known to every American schoolchild but! now long forgotten. A gifted storyteller, Sides packs his na! rrative with detailed descriptions of the principal actors on both sides of the struggle and with moments of danger and exhilaration. Thrilling from start to finish, his book celebrates the heroism of hundreds of warriors and brings renewed attention to one of the Rangers' finest hours. --Gregory McNameeWinner of the Eisner, Harvey, and Ignatz Awards
The setting: suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested in any number of ways â€" from the hideously grotesque to the subtle (and concealable) â€" but once you’ve got it, that’s it. There’s no turning back.
As we inhabit the heads of several key characters â€" some kids who have it, some who don’t, some who are about to get it â€" what unfolds isn’t the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we b! ecome witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself â€" the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.
And then the murders start.
As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn’t exactly cool to be a hippie anymore, but Bowie was still just a little too weird.
To say nothing of sprouting horns and molting your skin…The first issues of Charles Burns's comics series Black Hole began appearing in 1995, and long before it was completed a decade later, readers and fellow artists were speaking of it in tones of awe and comparing it to recent classics of the form like Chris Ware's Jimmy Corrigan and Daniel Clowes's Ghost World. Burns is the sort of meticulous, uncompromising artist whom o! ther artists speak of with envy and reverence, and we asked Wa! re and C lowes to comment on their admiration for Black Hole:
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| "I think I probably learned the most about clarity, composition, and efficiency from looking at Charles's pages spread out on my drawing table than from anyone's; his was always at the level of lucidity of Nancy, but with this odd, metallic tinge to it that left you feeling very unsettled, especially if you were an aspiring cartoonist, because it was clear you'd never be half as good as he was. There's an almost metaphysical intensity to his pinprick-like inkline that catches you somewhere in the back of the throat, a paper-thin blade of a fine jeweler's saw tracing the outline of these thick, clay-like human figures that somehow seem to "move," but are also inevitably oddly frozen in eternal, awk! ward poses ... it's an unlikely combination of feelings, and it all adds up to something unmistakably his own. "I must have been one of the first customers to arrive at the comic shop when I heard the first issue of Black Hole was out 10 years ago, and my excitement didn't change over the years as he completed it. I don't think I've ever read anything that better captures the details, feelings, anxieties, smells, and cringing horror of my own teenage years better than Black Hole, and I'm 15 years younger than Charles is. Black Hole is so redolently affecting one almost has to put the book down for air every once in a while. By the book's end, one ends up feeling so deeply for the main character it's all one can do not to turn the book over and start reading again." --Chris Ware |
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| "Charl! es Burns is one of the greats of modern comics. His comics are! beautif ul on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal." --Dan Clowes |
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Questions for Charles Burns
Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes?
Charles Burns: ! There were a number of reasons for serializing Black Hole. First of all, I wanted to put out a traditional comic book-- I'd never really worked in that comic pamphlet format before and liked the idea of developing a long story in installments. There's something very satisfying to me about a comic book as an object and I enjoyed using that format to slowly build my story. Serializing the story also allowed me to focus on shorter, more manageable portions; if I had to face creating a 368-page book all in one big lump, I don't know if I’d have the perseverance and energy to pull it off.
Amazon.com: One thing that stuns me about this book is how consistent it is from start to finish. From the first frames to the last ones that you drew 10 years later, you held the same tone and style. It feels as though you had a complete vision for the book from the very beginning. Is that so? Or did things develop unexpectedly as you worked on it?
B! urns: I guess there's a consistency in Black Hole beca use of the way I work. I write and draw very slowly, always carefully examining every little detail to make sure it all fits together the way I want it to. When I started the story, I had it all charted out as far as the basic structure goes, but what made working on it interesting was finding new ways of telling the story that hadn't occurred to me.
Amazon.com: Some of the very best of the recent graphic novels (I'm thinking of Ghost World and Blankets, along with Black Hole) have been about the lives of teenagers. Do you think there's something about the form that helps to tell those stories so well?
Burns: That's an interesting question, but I don't know the answer. Perhaps it has more to do with the authors--the kind of people who stay indoors for hours on end in total solitude working away on their heartfelt stories... maybe that kind of reflection lends itself to being able to capture the intensity of ado! lescence.
Amazon.com: In the time you've been working on Black Hole, graphic novels have leapt into the mainstream. (I think--I hope--we're finally seeing the last of those "They're not just for kids anymore!" reviews.) What did you imagine for this project when you started it? What's it been like to see your corner of the world enter the glare of the spotlight?
Burns: When I started Black Hole I really just wanted to tell a long, well-written story. The themes and ideas that run throughout the book had been turning around in my head for years and I wanted to finally get them all out--put them down on paper once and for all. I've published a few other books and while they sold reasonably well, they didn't set the publishing world on fire. I was pretty sure I'd have some kind of an audience for Black Hole, but that was never a motivating factor in writing the book. And my corner of the world is still pretty dar! k. I guess I'll be stepping into the spotlight for a little wh! ile when the book comes out, but I imagine I'll slip back into my dark little studio when it all settles down again so I can settle back into work.
