
- Homeopathic formula
- Insulin-like growth factor
- Promotes health and well being

DVD Features:
DVD ROM Features
Theatrical Trailer
The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.
Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Studio: Lions Ga! te Home Ent. Release Date: 05/17/2011 Run time: 90 minutes Rating: RDespite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.
The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces! him to give it a go.
Hartnett and Rachael Leigh Cook (She's A ll That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The rela! tionships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.
The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.
Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (t! he greatest hairdressing movie of all time)--Blow Dry i! s still a good showcase for the talents of its three leads. --Kathleen C. Fennessy A sexy take on SHAMPOO, this big-budget artsy New York comedy tells the story of Pepe, an ambitious, virile hairdresser who dreams of opening his own salon, while sleeping his way to the top.
DVD features Re-Mastered feature film (1.66:1) and commentary by cult film star R. Bolla (Cannibal Holocaust, Cannibal Ferox).Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully de! veloped but are affecting nonetheless.
The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.
Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Starring Racha! el Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), ! and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about the things everyone wants in life: love, happiness, and great hair! As the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are s! uitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.
The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.
Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Sim! on Beaufoy of Full Monty fame. Although not up to that ! standard --and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.
The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete a! s it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.
Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Have you ever heard yourself say this... "I love my hair when I leave the salon, but I have no idea how to style it when I get home!" We thought so. Congratulations! It doesn't have to be that way anymore! This DVD se! minar was created just for you! It's packed with inform! ation yo u can use immediately. In 65-minutes, you will learn amazing techniques that will change your relationship with your hair forever! There are three complete blow-dries fully explained. The first is, a smooth straight look. Next, learn how to create bouncy movement. And the best part is the last blow-dry. You will watch as Kimberly blow-dries her own hair so you can see how the techniques are applied on yourself. No more feeling defeated before you even begin. These techniques really work! This DVD's unique packaging is made from 100% recycled paperboard. There is a Spanish language option and English subtitles. More information can be found at NowYouKnowHow.com .with pure protein blend
absorbs natural oils and prolongs style without water
created by the hair experts at blow®, the new york blow dry barâ¢
A dry shampoo that helps to instantly remove excess oil and buildup without water. Our exclusive "poof technology" dispenses fine milled p! owder at the root. This is a must have product for anyone who wants to "reenergizes" day old blow dried hair. Safe for color-treated and processed hair.
This dry shampoo dramatically transforms limp locks with Blow's exclusive pure protein blend of amaranth, lupine and wheat. The perfect solution for the fashionable girl on the go, Faux Dry cleanses hair, absorbs excess oil with micronized corn starch and instantly volumizes at the roots without weighing down locks. Unlike other dry shampoos, Faux Dry won't leave behind a powdery residue or make a mess, thanks to its exclusive fool-proof application. Whether you overslept or simply need a style freshen-upper, Blow's Faux Dry is to the rescue.
Never tested on animals. Free of sulfates, parabens and artificial fillers.
Made in the USA
Mainstream rhetoric has made a concerted effort to polarize African Americans and Latinos, emphasizing differences in language and religion, while designating one or the other as the âfavored minorityâ at wi! ll. In Witness, Amalia Mesa-Bains and bell hooks invite us to reexamine this politically popular binary and consider which differences are manufactured and which are real.
In Witness, Mesa-Bains and hooks explore their own similarities and differences, sharing the ways their childhoods, families, and work have shaped their political activism, teaching, and artistic expression. Drawing on shared experiences of sexism, classism, and racism, hooks and Mesa-Bains show how people from divergent cultural backgrounds can work together for radical social change.
While the black/Latino divide and the increasing cross-community political collaboration has been addressed in progressive newspapers and magazines, Witness, an inclusive call to reflect and act, is the first of its kind to look at these issues in depth. And Amalia Mesa-Bains, a pioneer scholar and producer of Chicana art, with bell hooks, one of the most acclaimed of African American theo! ristsâ"prove an unparalleled match for the job.
bel! l hooks< /b> is one of the leading public intellectuals of her generation. She has written extensively on the emotional impact of racism and sexism, particularly on black women, as well as the importance of political engagement with art and the media. In her recent work on love, relationships, and community, she shows how emotional health is a necessary component to effective resistance and activism.
Amalia Mesa-Bains is an artist, curator, and writer who has initiated comprehensive exhibitions of Latino art, including Chicano Art: Resistance and Affirmation and Mi Alma, Mi Tierra, Mi Gente: Contemporary Chicana Art. Her artwork incorporates various aspects of Chicano/a history, culture, and folk traditions, exploring religion, ritual, and female rites of passage. She won a MacArthur Fellowship in 1992.