Beyond a Reasonable Doubt

• BEYOND A REASONABLE DOUBT (DVD MOVIE)

High profile lawyer, Martin Hunter (Michael Douglas) has an impeccable record putting criminals behind bars and is a shoo-in for governor in the upcoming election. But when ambitious rookie journalist, C.J. Nicholas (Jesse Metcalfe) begins investigating Hunter for tampering with evidence to secure his convictions, the district attorney’s perfect record is up for scrutiny. Commencing a risky game of cat and mouse with Hunter, C.J. frames himself as a murder suspect to catch the corrupt D.A. in the act.


Stills from Beyond a Reasonable Doubt (Click for larger image)

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An ambitious reporter takes an extraordinary risk to bring down a corrupt district attorney in Beyond a Reasonable Doubt, a modern-day remake of Fritz Lang's final feature. On occasion, Shreveport newsman C.J. (Jesse Metcalfe, Desperate Housewives) receives confidential tips from assistant D.A. Ella (Amber Tamblyn, Joan of Arcadia), but Ella hesitates to go out with him due to the conflict of interest. It doesn't help that he considers her boss, gubernatorial candidate Martin Hunter (Michael Douglas, whose performance recalls Wall Street's Gordon Gekko), "too smooth," adding, "I'm not sure he's honest," but she eventually yields to C.J.'s charms (hey, it worked for Gabrielle Solis). Little does she realize that he plans to expose Hunter as a fraud--by framing himself for an unsolved murder. C.J. figures if he teams up with cameraman Finley (Joel Moore), he can't lose, but he never stops to consider the consequenc! es if something happens to Finley or the video that proves his innocence. So, the trial proceeds, but once Hunter gets wind of the scheme, he goes after C.J. with all his might. Ella is the only one who can help him, but to do so means to put her career--maybe even her life--on the line. There's a nasty twist at the end of this entertaining, if shallow, courtroom drama, and director/cinematographer Peter Hyams, who previously worked with Douglas on The Star Chamber, sprinkles the suspense with some tension-relieving zingers from Orlando Jones as a cop who suspects something fishy is afoot. --Kathleen C. Fennessy

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Artie Lange's Beer League featuring Artie Lange & Ralph Macchio

• Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winning not only the league trophy but a new life are co

Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. Starring Artie Lange and Ralph Macchio. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winningâ€"not only the league trophy but a new lifeâ€"are considerably amped along with the comedy and chaos.It's! appropriate that this extravaganza of lowbrow cinema had its premiere at the 2006 Cinevegas Film Festival, because what happens in Artie Lange's Beer League should stay in Artie Lange's Beer League. Lange is most recognizable for his stint in the Mad TV ensemble, but probably more idolized by the people who will get wild kicks from his leading man debut as the resident guest-baiter and booze/scatological/flatulence/sex joke expert on Howard Stern's radio show. Those are the same kinds of laughs this movie relies on in telling the wisp of a story about a bunch of New Jersey boneheads whose lives are fulfilled by softball games and the beer-guzzling that goes on before, during, and after. Artie's team is proud to be in the bottom ranks of their league, especially when brawls erupt at games against their slick, archrival team. Artie and the rest of his team know these arrogant jerks in their immaculate black (of course) uniforms are unbeatable, so it's on! ly natural that Artie thinks its easier to just beat the hell ! out of t hem. The local cop who's had to deal with both teams finally gets so angry with the escalating brawls that he issues an ultimatum: Whichever team loses the season has to disband and never play on the league again. It's kind of an utterly tasteless version of The Bad News Bears for people who like their movies vulgar, offensive, misogynistic, and often really funny in spite of it all. Some of the subplots and supporting players include Ralph Macchio as one of Artie's childhood friends who's about to get married (cue depraved bachelor party scene with lots of topless babes), Mary Birdsong from Reno 911! as a kooky waitress, and a delightful turn by crusty character actor Seymour Cassel as Artie's teammate Dirt, who may be old but loves booze, fisticuffs, and debauchery as much as anyone. For some reason, Artie's foul-mouthed slobbery attracts a local Jersey girl (Cara Buono), even though he's jobless and still lives with his mom (Laurie Metcalf, who should get so! me kind of good sport award). The buffoonery doesn't just stop with the movie. There's also more than two hour of bonus material tailored for Artie Lange enthusiasts who probably number more than you'd think -- whether they'd ever admit it or not. --Ted Fry

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Catch Me If You Can: The True Story of a Real Fake

• ISBN13: 9780767905381
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

An FBI agent (Hanks) tracks down and catches a young con artist (DiCaprio) who successfully impersonated an airline pilot, doctor, assistant attorney general and history professor, cashing more than $2.5 million in fraudulent checks in 26 countries.An enormously entertaining (if somewhat shallow) affair from blockbuster director Steven Spielberg. Leonardo DiCaprio stars as Frank Abagnale, Jr., a dazzling young con man who spent four years impersonating an airline pilot, a doctor, and a lawyer--all before he turned 21. All the while he's pursued by a dedicated FBI agent named Carl Hanratty (Tom Hanks), whose dogged determination stays one step behind Abagnale's spontaneous wits. Both DiCaprio! and Hanks turn in enjoyable performances and the movie has a bouncy rhythm that keeps it zipping along. However, it never gets under the surface of Frank's drive to lose himself in other identities, other than a simplistic desire to please his father (Christopher Walken, excellent as always), nor does it explore the complex mechanics of fraud with any depth. By the movie's end, it feels like one of Frank's pilot uniforms--appearance without substance. --Bret FetzerFrank W. Abagnale, alias Frank Williams, Robert Conrad, Frank Adams, and Robert Monjo, was one of the most daring con men, forgers, imposters, and escape artists in history.  In his brief but notorious criminal career, Abagnale donned a pilot's uniform and copiloted a Pan Am jet, masqueraded as the supervising resident of a hospital, practiced law without a license, passed himself off as a college sociology professor, and cashed over $2.5 million in forged checks, all before he was twenty-! one. Known by the police of twenty-six foreign countries and a! ll fifty states as "The Skywayman," Abagnale lived a sumptuous life on the lam-until the law caught up with him.  Now recognized as the nation's leading authority on financial foul play, Abagnale is a charming rogue whose hilarious, stranger-than-fiction international escapades, and ingenious escapes-including one from an airplane-make Catch Me If You Can an irresistible tale of deceit.

The uproarious, bestselling true story of the world's most sought-after con man currently in development as a DreamWorks feature film.

"I stole every nickel and blew it on fine threads, luxurious lodgings, fantastic foxes, and other sensual goodies.  I partied in every capital in Europe and basked on all the world's most famous beaches."When this true-crime story first appeared in 1980, it made the New York Times bestseller list within weeks. Two decades later, it's being rereleased in conjunction with a film version produced by DreamWorks. In the space of five ! years, Frank Abagnale passed $2.5 million in fraudulent checks in every state and 26 foreign countries. He did it by pioneering implausible and brazen scams, such as impersonating a Pan Am pilot (puddle jumping around the world in the cockpit, even taking over the controls). He also played the role of a pediatrician and faked his way into the position of temporary resident supervisor at a hospital in Georgia. Posing as a lawyer, he conned his way into a position in a state attorney general's office, and he taught a semester of college-level sociology with a purloined degree from Columbia University.

The kicker is, he was actually a teenage high school dropout. Now an authority on counterfeiting and secure documents, Abagnale tells of his years of impersonations, swindles, and felonies with humor and the kind of confidence that enabled him to pull off his poseur performances. "Modesty is not one of my virtues. At the time, virtue was not one of my virtues," he writes.! In fact, he did it all for his overactive libido--he needed m! oney and status to woo the girls. He also loved a challenge and the ego boost that came with playing important men. What's not disclosed in this highly engaging tale is that Abagnale was released from prison after five years on the condition that he help the government write fraud-prevention programs. So, if you're planning to pick up some tips from this highly detailed manifesto on paperhanging, be warned: this master has already foiled you. --Lesley Reed

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Comeback: A Parker Novel (Parker Novels)

• ISBN13: 9780226770581
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Research shows that over time, most churches plateau and then eventually decline. Typically, they start strong and experience periods of growth, then stagnate and lose members. Since 1991, the North American population has increased by 15 percent while the number of "unchurched" people has increased by 92 percent. Large church houses that were filled in the 1950s and `60s now hold a fraction of their capacity.

To counter this trend, authors Ed Stetzer and Mike Dodson surveyed 300 churches from across ten different denominations that recently achieved healthy evangelistic growth after a significant season of decline. What they have discovered is an exciting method of congregation rei! nvigoration that is shared in the new book entitled Comeback Churches.Here are ten suspenseful, serpentine stories  of betrayal, blackmail, murder, and revenge...all  culminating in shocking twists of fate.  Within these pages live a wealth of  characters you will not soon forget...people  whose lives become irrevocably trapped in a world of  no comebacks, beyond the point of no return--from  the manipulators and the manipulated to the  ultra-rich capable of buying and selling human lives, to  the everyday man maneuvered by circumstances into  performing deadly acts of violence.

Known as The Makeover Guy ® from his appearances on The Oprah Winfrey Show and other national television programs, Christopher Hopkins believes that as they age, women become more beautiful but often feel less attractive. He's out to change that. For more than twenty years he's encouraged women who often feel like they' have taken a backseat to everything and every! one else to come out of the shadows and take center stage. Now! it's yo ur turn. Using Christopher's step-by-step strategies and detailed advice,you will learn to: 

• Restore your hair with your ideal cut, color, and style.  
• Revamp your wardrobe to flatter a changing body.
• Refresh your face with 'visible lift' makeup techniques.
• Renew your spirit and maintain your look using Christopher's revival guide.

After the bloodbath of Butcher's Moon, the action-filled blowout Parker adventure, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And for nearly twenty-five years, he stayed away, while readers waited.

But nothing bad is truly gone forever, and Parker’s as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor"--and the resulting novel, Comeback, showed that neither Stark nor Pa! rker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks--some prefer to hide behind the wings of fallen angels.

The frighteningly prolific mystery writer Donald E. Westlake, a.k.a. Richard Stark, ended his legendary series of books about a career criminal known only as Parker with 1974's Butcher's Moon. He cited too much competition from copycats in print, on film, and on television. Persuaded by fans and family, Westlake has resurrected Parker with a welcome burst of energy and imagination. The felon and his long-time lady friend Claire are enjoying the quiet life in their New Jersey lakeside home when Parker's invited to become part of a plan to remove a large sum of cash from a glossy TV-preacher named William Archibald. It's a heist that goes wrong from the start and turns into a tense, chaotic ballet of betrayal and death. One of Parker's partners is a weak babbler! , another a cold traitor. Archibald's security chief is a ten! acious pursuer, intent on retrieving his employer's money. Along the way, we learn how to hide crooks, cars, and cash in a small city with an efficient police force; how to escape from a variety of traps and sealed rooms; and most of all how Parker has managed to stay alive--in readers' minds as well as in the brain of his creator--for all these years.

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Emma (2009 BBC Version)

•  Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Har

Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a stor! y which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.Although Jane Austen's Emma has been adapted for the screen many times before, including for an American version starring Gwyneth Paltrow, this four-part miniseries is the version to begin with. The story of Miss Woodhouse, a matchmaker and meddler whose wit and misdirection need to be carefully acted to match the novel's complex character, is perfectly expressed through Romola Garai's portrayal. Throughout the retelling of this comedic romantic drama, Garai not only conveys Emma's strong-willed sensibility but also manages to update Emma for modern audiences without relinquishing the traditional manners and tastes that Austen fans love in her 1815 historical tale. Each episode, here, opens with a seasonal shot of Hartfield, the estate Emma rules w! hile caring for her loyal and kind but protective father (Mich! ael Gamb on). Having lost her mother early, Emma feels a bond with two other unfortunate children in Highbury, Frank Churchill (Rupert Evans) and Jane Fairfax (Laura Pyper), whom Emma befriends as they return home from boarding schools abroad.

The dramas that ensue revolve around Emma's attempts to pair lovers, with varied degrees of success. Episode One establishes Emma's curious desire to marry everyone off except herself. John Knightley (Johnny Lee Miller), Emma's childhood friend, is constantly by her side, coaching, supporting, and chiding her as she matures into an intelligent, regal young lady. Miller's ability to portray Knightley as the respectable, patient man he is throughout the series also lends this Emma incredible strength. In Episode Two, after Emma's beloved governess, Anne Taylor (Jodhi May), moves out to marry, Emma bonds with new girlfriend Harriet Smith (Louise Dylan), and from here we begin to see some of Emma's plans backfiring. Part of this series'! genius is in how it manages, in keeping with Austen's book, to express deeper love developing between Emma and her true mate while Highbury's daily gossip continues. Though in Episodes Three and Four one weathers some minor emotional upheaval with aging parents, losses of wealth, and illnesses, this story is not tragic and most side plots point toward Emma's final love realization, which does not arrive until the last 20 minutes of the last episode. Settings and costumes enhance the story greatly, and views of the village farmers' market contrast with lavish balls and dinner parties hosted by the Woodhouse family and others to underscore Austen's original emphasis on capturing the preoccupations of upper-class British society in her day. Some scenes, as in Episode One when Knightley and Emma squabble for much too long over whom Harriet should marry, drag on, allowing one to marvel at how much free time these people had to worry about other business besides their own. Still! , the romance in Emma is quite powerful and humor throu! ghout ma kes this series ultimately enchanting. --Trinie Dalton

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Blow Faux Dry Dry Shampoo 2.4 oz (68 g)

• Directions: Shake well. Holding bottle upright 6-8 inches away from hair, divide hair into sections and squeeze the middle of bottle until translucent "poufs" of fine powder appear. Massage into scalp and brush or comb hair as usual.
• Blow tip: For added body, instead of using a brush, use your fingers to work poofs of powder through hair from root to tips. Style stays fresh an extra day.
• Free of sulfates, parabens, sodium chloride, and artificial fillers
• Safe for color-treated hair
• 2.4 oz travel friendly size
• Never tested on animals
• Keratin compliant

Starring Rachael Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about the things everyone wants in life: love, happiness, and great hair! A! s the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and! Sandra (Rachel Griffiths), "the other woman," could be more f! ully dev eloped but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Studio: Lions Ga! te Home Ent. Release Date: 05/17/2011 Run time: 90 minutes Rating: RDespite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces! him to give it a go.

Hartnett and Rachael Leigh Cook (She's A ll That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The rela! tionships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (t! he greatest hairdressing movie of all time)--Blow Dry i! s still a good showcase for the talents of its three leads. --Kathleen C. Fennessy A sexy take on SHAMPOO, this big-budget artsy New York comedy tells the story of Pepe, an ambitious, virile hairdresser who dreams of opening his own salon, while sleeping his way to the top.

DVD features Re-Mastered feature film (1.66:1) and commentary by cult film star R. Bolla (Cannibal Holocaust, Cannibal Ferox).Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully de! veloped but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Starring Racha! el Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), ! and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about the things everyone wants in life: love, happiness, and great hair! As the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are s! uitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Sim! on Beaufoy of Full Monty fame. Although not up to that ! standard --and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy with pure protein blend
absorbs natural oils and prolongs style without water
created by the hair experts at blow®, the new york blow dry bar™
A dry shampoo that helps to instantly remove excess oil and buildup without water. Our exclusive "poof technology" dispenses fine milled powder at the root. This is a must have product for anyone who wants to "reenergizes" day old blow dried hair. Safe for color-treated and processed hair.
This dry shampoo dramatically transforms limp locks with Blow's exclusive pure protein blend of amaranth, lupine and wheat. The perfect solution for the fashionable girl on the go, Faux Dry cleanses hair, absorbs excess oil with micronized corn starch and instantly volumizes at the roots without weighing down locks. Unlike other dry shampoo! s, Faux Dry won't leave behind a powdery residue or make a mess, thanks to its exclusive fool-proof application. Whether you overslept or simply need a style freshen-upper, Blow's Faux Dry is to the rescue.
Never tested on animals. Free of sulfates, parabens and artificial fillers.
Made in the USA

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