Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

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War in Heaven: God's Epic Battle with Evil

• ISBN13: 9780800793173
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Marcos (Marcos Hernandez) is the middle-aged chauffeur of Ana (Anapola Mushkadiz), daughter of a Mexican general who amuses herself by working as a prostitute in a high-end brothel. Marcos and his wife (Berta Ruiz) have kidnapped a baby for ransom but it went tragically wrong when the infant died. When he confesses his guilt to Ana, a bond of secrecy consecrated by the flesh unites them. As the police draw closer, she urges him to turn himself in but instead he seeks redemption from a higher power.Battle In Heaven, Carlos Reygadas’ follow-up to Japón, opens with a controversial oral sex scene involving beauty, Ana (Anapola Mushkadiz),! and the beast, Marcos (Marcos Hernández). Marcos is Ana’s chauffeur, who has kidnapped and accidentally killed a baby. Ana, a general’s daughter by day and a prostitute by night, confides in Marcos and performs sexual favors for him in order to persuade him to turn himself in. She is too young, however, to understand Marcos’s confused mental state, and her sensitive position with him puts her in peril. Set in Mexico City, this tragic drama is as much about failed intimacy as it is about Mexican class structure, as Ana and Marcos attempt to bridge the class gap. A few explicit sex scenes show Marcos in bed with Ana or his wife (Bertha Ruiz), thus garnering it reviews that compare it to The Brown Bunny. In fact, the slow pacing and artsy, self-consciously composed shots do remind one of The Brown Bunny, in that both films are initially interesting but grow dull as their plots take forever to unfold. An intriguing plot is buried under seemingly eternal pa! noramic shots of the city, painfully slow conversation between! charact ers, and constant close-ups of Marcos’ face that are meant to capture his angst but only deter narrative. Nevertheless, this film’s merit is based in its experimental energy, and any director who follows up a graphic sex scene with a cut to the waving of the country’s flag (in this case Mexico’s) has my respect. --Trinie DaltonMARCOS, EL CHOFER DE UNA FAMILIA DE DINERO, PIERDE EL CONTROL TRAS EL RESULTADO TRÁGICO DEL SECUESTRO DE UN BEBÉ PERPETRADO CON SU MUJER. BUSCANDO LIBERARSE, CONFIESA EL CRIMEN A LA HIJA DE SU PATRÃ"N, UNA NIÃ'A FRÍVOLA QUE SE PROSTITUYE POR DIVERSIÃ"N. PERO LA SITUACIÃ"N NO MEJORA Y MARCOS CONTINUA CAYENDO POR UNA ESPIRAL SIN FIN...Spain released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Spanish ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Biographies, Deleted Scenes, Film Credits, Interactive Me! nu, SYNOPSIS: Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general he drives for, who prostitutes herself for pleasure. Marcos confesses his guilt to her in his troubled search for relief. And then finds himself on his knees amidst the multitude of believers moving slowly towards the Basilica in honor of the Lady of Guadalupe. SCREENED/AWARDED AT: Cannes Film Festival, European Film Awards, ...Battle in Heaven ( Batalla en el cielo )The Brown Bunny is both a love story and a haunting portrait of a lost soul unable to forget his past. After finishing a motorcycle race in New Hampshire, Bud Clay (Vincent Gallo) loads his racing bike into the back of his van and begins a cross-country odyssey to Los Angeles, where he is to compete in another race. During his trip, he meets three very different women: Violet, a wholesome all-American gas station attendant; Lilly (Cheryl Tiegs)! , a fellow lost soul he connects with at a highway rest stop; ! and Rose , a Las Vegas prostitute. Throughout his journey, Bud can never escape his intense feelings for the love of his life, Daisy (Chloë Sevigny), so he plans to reconcile with her when he reaches Los Angeles. Arriving in Los Angeles, Bud checks into a motel before visiting the abandoned home he once shared with Daisy. He leaves a note, hoping she will turn up at his motel room . . .Building to a notorious climax, the film presents one of the frankest portrayals of male sexuality ever seen in American cinema.After its scandalous screening at the 2004 Cannes film festival, Vincent Gallo's The Brown Bunny was cut from 118 to 92 minutes, and that made all the difference. The film that critic and long-time Cannes attendee Roger Ebert originally called "the worst film in the history of the festival" was transformed, by Gallo's judicious editing, into a perfectly acceptable if not universally respected art-house curio, widely criticized yet ripe for cult status, able to stand be! side Gallo's Buffalo 66 as the work of a genuine artist with a singular vision. Yes, that vision is self-indulgent, narcissistic, and likely to turn off a majority of viewers with its glacial pace and endless shots of Gallo driving, driving, and driving some more. But in portraying a melancholy motorcycle racer who drives cross-country while mourning a private loss that remains secret until the final scenes, Gallo gives us a character, and a film, that feels spiritually akin to such early '70s classics as Five Easy Pieces and Two-Lane Blacktop. It's a flawed yet ultimately moving example of maverick, unconventional cinema, and while Chloe Sevigny's explicit oral sex scene with Gallo is completely unnecessary, it's just one more element that places The Brown Bunny firmly, and refreshingly, out of the mainstream. --Jeff ShannonMatt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his ! love affair with Lisa. They meet at a mobbed rock concert in a! vast mu sic hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose stages unfold in counterpoint to nine live-concert songs. Featuring nine live concert performances not available anywhere else by Black Rebel Motorcycle Club, The Von Bondies, Elbow, Primal Scream, The Dandy Warhols, Super Furry Animals, Franz Ferdinand and Michael Nyman.
Maverick director Michael Winterbottom wondered about the double standard of why novels can have explicit sex scenes and be legit and films could not. So his short film of a relationship based solely on sex and a love for music is the result of that thought. If the definition of a porn film is to shoot actors performing graphic sex scenes for real, then 9 Songs qualifies. It certainly doesn't feel or look like your standard whoopdee-do XXX feature. It's as glossy and low-budget arty as Winterbottom's 24 Hour Party People or I Want Y! ou. But yeah, Matt and Lisa do everything to each other, and the actors are not "just acting" in some of the sex scenes. No matter how landmark the movie might be, there is not much story here (at least a book with hot sex often has a good story to it). Lisa is an American drifter in London who hooks up with Matt, a scientist who studies glaciers in Antarctica. They have sex and visit nine rock concerts including Franz Ferdinand and The Dandy Warhols. As advertised, you can't find these musical performances anywhere else, but we just see them from way back in the crowd. The film has an essence of how someone can find bliss in another person's body, and the emotional, magical weight that can hold over you. But that spell doesn't last. Since the sex is real, Winterbottom had to cast unknown actors, and they really don't make an impression, especially with the lack of story. --Doug ThomasWhy is our world a scene of conflict? Is this conflict restricted to earth? Wha! t happens in the three "levels" of heaven? Does Satan really r! oam free ly throughout the universe? Do Christians have any role in the conflict in the spiritual realm?

Prolific author and Bible teacher Derek Prince addresses these questions and more in this carefully researched and superbly written book. Although focusing almost exclusively on the pre-Adamic era, Prince also explains that the Bible is primarily a record of Adam's race rather than a history of the world. He discusses the creation of man, as well as angels, particularly addressing the fall of Lucifer and the angels who joined him in his rebellion against God. Prince concludes that pride, which fueled rebellion, is the root of all sin, and he explains God's eternal plan of salvation.

Written with clarity and simplicity, this fascinating book offers readers biblical answers to fundamental questions and reassurance for the future.

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You Know My Name

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After being cut from the usa softball team and feeling a bit past her prime lisa finds herself evaluating her life and in the middle of a love triangle as a corporate guy in crisis competes with her current baseball-playing beau. Studio: Sony Pictures Home Ent Release Date: 03/22/2011 Starring: Reese Witherspoon Owen Wilson Run time: 121 minutes Rating: Pg13 Director: James L. BrooksCompared to previous James L. Brooks dramedies, like As Good As It Gets, How Do You Know feels slight, but it still marks an improvement over the ill-conceived Spanglish. The setup begins with a newly minted couple and a brand-new single. Lisa (Reese Witherspoon), a pro softball player, dates Matty (Owen Wilson), a major-league pitcher, who lives in the same Washington, D.C., high rise as financial exec Charles (Jack Nicholson, looking ill at ease), whose son and employee, George ! (Paul Rudd), gets the boot from his girlfriend after he loses his job. When George meets Lisa, who didn't make the team, sparks fly, but she's unavailable, so they get on with their lives. Hardly the brightest bulb, Matty raises Lisa's spirits with his goofy antics, so she moves in with him. Then George finds out he faces charges for tax fraud, even though he broke no laws. While his pregnant assistant, Annie (Crossing Jordan's Kathryn Hahn), supports him through the crisis, he can't stop thinking about the blonde from the elevator, so he tries to get to know Lisa better. Throughout the rest of this glossy entertainment, their friendship verges on romance, but Lisa stays with Matty, until Annie helps her to see George clearly for the first time. As love triangles go, Brooks isn't reinventing the wheel, making this underwritten affair one of his less inspired creations, but Witherspoon, Rudd, and Wilson are good company--even if the latter is essentially reprising his! vacuous Zoolander character (just substitute baseball ! for mode ling). --Kathleen C. FennessyFrom legendary director/writer James L. Brooks comes a humorous and romantic look at the “How Do You Know” question. When everything she’s ever known is suddenly taken from her, Lisa (Reese Witherspoon) begins a fling with Matty (Owen Wilson), a major league baseball player and self-centered ladies man. Before their relationship takes off, Lisa meets up with George (Paul Rudd) a straight-arrow businessman facing his own serious issues, both with his father (Jack Nicholson) and the law. Just when everything seems to be falling apart it doesn't.Compared to previous James L. Brooks dramedies, like As Good As It Gets, How Do You Know feels slight, but it still marks an improvement over the ill-conceived Spanglish. The setup begins with a newly minted couple and a brand-new single. Lisa (Reese Witherspoon), a pro softball player, dates Matty (Owen Wilson), a major-league pitcher, who lives in the same Washington, D.C.! , high rise as financial exec Charles (Jack Nicholson, looking ill at ease), whose son and employee, George (Paul Rudd), gets the boot from his girlfriend after he loses his job. When George meets Lisa, who didn't make the team, sparks fly, but she's unavailable, so they get on with their lives. Hardly the brightest bulb, Matty raises Lisa's spirits with his goofy antics, so she moves in with him. Then George finds out he faces charges for tax fraud, even though he broke no laws. While his pregnant assistant, Annie (Crossing Jordan's Kathryn Hahn), supports him through the crisis, he can't stop thinking about the blonde from the elevator, so he tries to get to know Lisa better. Throughout the rest of this glossy entertainment, their friendship verges on romance, but Lisa stays with Matty, until Annie helps her to see George clearly for the first time. As love triangles go, Brooks isn't reinventing the wheel, making this underwritten affair one of his less inspired cr! eations, but Witherspoon, Rudd, and Wilson are good company--e! ven if t he latter is essentially reprising his vacuous Zoolander character (just substitute baseball for modeling). --Kathleen C. FennessyHolly (Katherine Heigl) is an up-and-coming caterer and Messer (Josh Duhamel) is a promising network sports director. After a disastrous first date, all they have is common is their dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Judging career ambitions and competing social calendars, they’ll have to find common ground while living under the same roof. Josh Lucas, Christina Hendricks, Hayes MacArthur and Jean Smart co-star in this tart and tender romantic comedy directed by Greg Berlanti (TV’s Brothers & Sisters and Everwood). In Life as We Know It, Katherine Heigl and Josh Duhamel discover that their closest friends have appointed them guardians of their child in the unlikely e! vent of their joint death--an unlikely event that has just happened. Make no mistake: There's no reason this movie should have been any good. The premise is the worst kind of formulaic Hollywood claptrap; the pleasant but cautious Heigl (Knocked Up) is playing yet another uptight fussbudget; since a promising movie debut in the underrated Win a Date with Tad Hamilton!, Duhamel has largely coasted on his looks in tripe like the Transformers movies--yet Life as We Know It is surprisingly likable. After the movie gets through the basic exposition--and navigates some radical shifts in tone with unexpected deftness--the script somehow manages to make its clichés into something resembling real human situations. The colorful supporting characters are all entertainingly written and well played by a solid cast. And both Heigl and Duhamel give understated, engaging performances that manage to make the inevitable conclusion seem almost not inevitable. Dire! ctor Greg Berlanti (The Broken Hearts Club) deserves ku! dos for skillfully balancing humor and pathos and turning this unpromising material into a sincere and enjoyable movie. --Bret FetzerFor Becky (Rachel McAdams, The Notebook), running a TV show in New York City was the big break she dreamed of…until star co-anchors Mike (Harrison Ford, Indiana Jones) and Colleen (Diane Keaton, Something’s Gotta Give) declare an all-out, on-air war. Making the show work with its cast of eccentric characters and outrageous story angles will take a major miracle, but Becky is ready to rise and outshine. From the writer of The Devil Wears Prada and 27 Dresses, Morning Glory is a “Tart, terrific comedy*” that critics rave is, “Smart! Fresh! Brilliant! Heartwarming! Morning Glory has it all!*” *Peter Travers , Rolling Stone **Neil Rosen, NY1Morning Glory showcases the comedic (and romantic) talents of two cute couples of different ages--Harrison Ford and Diane Keaton (never spa! rklier) and the adorable Rachel McAdams and Patrick Wilson. Love can bloom, no matter what time of life, or, as the setting of Morning Glory underscores, no matter what time of day. McAdams is excellent and darling as an ambitious TV producer who vows to turn around a sinking morning TV news show by bringing in a heavyweight anchor (Ford) to pair with the lighthearted, deft Keaton. But Ford wants none of the "news lite" that morning shows need to surface, so sparks fly between the bickering co-anchors almost immediately. Happily, Ford is easier in his skin in Morning Glory than he has been in some of his past romantic efforts (Six Days Seven Nights), so he and Keaton play off each other easily and believably. In a parallel story, McAdams's Becky is pursued by Wilson's Adam, which takes Ms. Focused Career Girl (if not the viewer) by surprise. The direction by Roger Michell (Notting Hill) is crisp, although the script by Aline Brosh McKenna (The! Devil Wears Prada) isn't particularly funny. (Adam thinks! Ford's character, Pomeroy, is the "third worst person in the world," after Kim Jong Il and… Angela Lansbury.) But the world of TV news portrayed in Morning Glory is as immersive as it is in Broadcast News, and the romantic subplots truly are romantic. There's love in the air--and on the air--in Morning Glory. --A.T. HurleyJennifer Aniston stars alongside Jason Bateman in this offbeat comedy as Kassie, a smart, fun-loving single woman who, despite her neurotic best friend Wally’s (Bateman) objections, decides it’s time to have a baby â€" even if it means doing it herself…with a little help from a charming sperm donor (Patrick Wilson). But, unbeknownst to her, Kassie’s plans go awry because of a last-minute switch that isn’t discovered until seven years later…when Wally gets acquainted with Kassie’s cute â€" though slightly neurotic â€" son. From the people behind Little Miss Sunshine and Juno comes The Switch.Je! nnifer Aniston continues her breezy success as queen of the contemporary romantic comedy in the offbeat The Switch, which brings together elements of When Harry Met Sally… and even episodes of Friends. Aniston is charming and capable as Kassie, an accomplished New York career gal who decides it's time to have a baby--husband or no husband. But in The Switch it's the men around Kassie who become truly memorable, and for which The Switch becomes a must-see. Kassie's best friend is Wally (the wryly and neurotically hilarious Jason Bateman), who may have deeper feelings for his good friend than he's willing to admit. Kassie's recruited sperm donor is Roland, the handsome Nordic hunk with a sweet heart, played with finesse by Broadway star Patrick Wilson. And the fruit of the insemination is Kassie's son, Sebastian, acted with gravitas and thoughtfulness by the young Thomas Robinson, who's so talented he should grow up to be a huge star. Spec! ial mention goes to Jeff Goldblum, who takes his own befuddled! persona stereotype to new heights as Wally's concerned friend Leonard. All Aniston really has to do is not overdo the "cute" as she dances among these talented actors, and she accomplishes far more than that. "The switch" of the title involves a snafu during the process of Kassie's insemination--and the results of that plot twist shape the rest of the movie. Though audiences can see much more quickly whom Kassie belongs with, before Kassie or her guys do, the ride is thoroughly believable, human, and gently entertaining. The humor in The Switch can be bawdy but it underscores the timeless quest for love and family. Kassie--and all the "men" in her life--deserve it, and watching them on that journey makes for a delightful experience. --A.T. HurleyWHAT THE BLEEP DO WE KNOW?! is a new type of film. It is part documentary, part story, and part elaborate and inspiring visual effects and animations. The protagonist, Amanda, played by Marlee Matlin, finds herself in a fantas! tic Alice in Wonderland experience when her daily, uninspired life literally begins to unravel, revealing the uncertain world of the quantum field hidden behind what we consider to be our normal, waking reality. She is literally plunged into a swirl of chaotic occurrences, while the characters she encounters on this odyssey reveal the deeper, hidden knowledge she doesn?t even realize she has asked for. Like every hero, Amanda is thrown into crisis, questioning the fundamental premises of her life ? that the reality she has believed in about how men are, how relationships with others should be, and how her emotions are affecting her work isn?t reality at all!The unlikeliest cult hit of 2004 was What the (Bleep) Do We Know?, a lecture on mysticism and science mixed into a sort-of narrative. Marlee Matlin stars in the dramatic thread, about a sourpuss photographer who begins to question her perceptions. Interviews with quantum physics experts and New Age authors are cut! into this story, offering a vaguely convincing (and certainly! mind-pr ovoking) theory about... well, actually, it sounds a lot like the Power of Positive Thinking, when you get down to it. Talking heads (not identified until film's end) include JZ Knight, who appears in the movie channeling Ramtha, the ancient sage she claims communicates through her (other speakers are also associated with Knight's organization). What she says actually makes pretty good common sense--Ramtha's wiggier notions are not included--and would be easy to accept were it not being credited to a 35,000-year-old mystic from Atlantis. --Robert HortonDanny Maccabee (Adam Sandler) meets the girl of his dreams (Brooklyn Decker) but has to enlist his loyal assistant Katherine (Jennifer Aniston) to pretend to be his soon-to-be ex-wife in order to cover up a careless lie. When more lies backfire, Katherine’s kids become involved, and everyone heads off to Hawaii for a ridiculous, out-of-control weekend that tests the limits of how far we’ll go for love.It all comes ! down to chemistry. And the two main stars of Just Go with It, Jennifer Aniston and Adam Sandler, thankfully, have chemistry to spare. Both actors have plenty of sheer likability and honest ease, as well as sparks in just the right places, which helps propel Just Go with It to its satisfying (if a bit predictable) conclusion. (Hollywood execs: Consider an update of Moonlighting starring these two.) If the premise, loosely based on the Goldie Hawn film Cactus Flower, stretches reality, the capability of the whole cast makes Just Go with It an enjoyable ride. Sandler plays Danny, a surgeon who falls for a much-younger bombshell, Palmer (swimsuit model Brooklyn Decker, a surprisingly natural actress). But when Palmer finds the fake wedding band that commitment-phobe Danny has used for his no-strings-attached previous relationships, the web of fibs begins. Danny asks his assistant, Katherine (Aniston), to pretend to be his soon-to-be-ex-wife, a! nd Aniston plays it to the hilt. But soon Danny's wobbly house! of card s includes Katherine's children--and, in the ultimate romantic-comedy trope, a group trip to Hawaii to work things out. The cast really is stellar, including very small supporting roles by Nicole Kidman and singer Dave Matthews, as an insufferable couple disliked intensely by Katherine. (Of course they end up in Hawaii with the gang, too.) Minka Kelly, Kevin Nealon, and Rachel Dratch also make memorable cameos. But it's Sandler and Aniston, along with the snappy direction by Dennis Dugan (Happy Gilmore, Big Daddy), who make Just Go with It one of the more romantic--and funny--romantic comedies in recent memory. Our advice: Sit back, and just go with it. --A.T. HurleyIn six months, the population of Cromwell, Oklahoma, has climbed from 500 to 10,000. Boom times have come to the oil-rich town. So has a new breed of criminal. You Know My Name is the fact-based story of Bill Tilghman, a lawman and former partner of Wyatt Earp confronted by an emerging! era when outlaws run whiskey instead of cattle and are likely to tote a tommy gun as carry a six-gun. An ideally cast Sam Elliott plays Tilghman, whose life takes on a newfangled wrinkle of its own. Tilghman makes a moving picture of his Old West exploits; and the success of that silent film, The Passing of the Oklahoma Outlaws, spreads his reputation like a brushfire. But that reputation may mean nothing to a thug (Arliss Howard) who hides behind a badge.Cromwell, Oklahoma, 1924: an oil boomtown full of saloons, cathouses, mud-and-crude-oil streets, bootleg whisky, and gun-toting roughnecks. Technology had overpassed the Old West, in the form of Model T's and oil rigs, but the mentality had stayed much the same. Add to that a population that's a bit tweaky from a combination of cocaine and morphine that had been going around, and you have a recipe for trouble. Enter Marshall Bill Tilghman, a contemporary of Wyatt Earp. Tilghman had made a silent film, The Passing of th! e Oklahoma Outlaws, and on the strength of his reputation ! had been called into service as chief of police in the hopes of restoring order to a lawless community. In this fact-based story, Sam Elliott plays Tilghman, a larger-than-life character who was one of the last of a dying era. Many Prohibition agents became renegades in the '20s; Tilghman's nemesis was Wiley (Arliss Howard), a rogue agent strung out on drugs and dealing in bootleg liquor himself. Howard's performance is as overwrought as Elliott's is restrained; together the two offset each other well. The flinty Elliott brings a measure of warmth to his role, especially in his relationship to his wife and kids; he's perfectly cast as the man on the cusp of a new age. As a modern-era Western, You Know My Name rises well above its made-for-cable roots to stand as a good character study and action picture. --Jerry Renshaw

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Joie Women's Baxter B Top, Yves Blue, Medium

• Tie front
• Matte silk

Matte silk tie front top

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Eternal Sunshine of the Spotless Mind (2-Disc Collector's Edition)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Collector's Edition; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitle

ETERNAL SUNSHINE OF THE SPOTLESS MIND - DVD MovieScreenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman (Being John Malkovich, Adaptation) has made him a unique and much-needed cinematic presence. In Eternal Sunshine of the Spotless Mind, a guy decides to have the memories of his ex-girlfriend erased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, a! nd simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. --Bret FetzerJoel (Jim Carrey) is stunned to discover that his girlfriend Clementine (Kate Winslet) has had their tumultuous relationship erased from her mind. Out of desperation, he contacts the inventor of the process, Dr. Howard Mierzwiak (Tom Wilkinson), to get the same treatment. But as his memories of Clementine begin to fade, Joel suddenly realizes how much he still loves her.Screenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman (Being John Malkovich, Adaptation) has made him a unique and much-needed cinematic presence. In Eternal Sunshine of the Spotle! ss Mind, a guy decides to have the memories of his ex-girl! friend e rased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, and simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 01/04/2005 Starring: Jim Carrey Elijah Wood Run time: 108 minutes Rating: RScreenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman (Being John Malkovich, Ad! aptation) has made him a unique and much-needed cinematic presence. In Eternal Sunshine of the Spotless Mind, a guy decides to have the memories of his ex-girlfriend erased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, and simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. --Bret Fetzer

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Collateral Damage [Blu-ray]

• Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe

Studio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutesARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging acti! on star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Through all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, ! the Sisterhood verges on falling apart when the ladies have to! choose between two difficult assignments. The first job guarantees a huge paycheck; the second offers a presidential pardon - and a chance to finally emerge from hiding.For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realise that the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting - and stay alive - long enough to see it happen?Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Wash! ington, DC. The fanatic plans to strike again in Washington…but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impr! essive display of military ordnance. Despite its formulaic plo! t and Ar nold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon

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Drive Me Crazy (Simon Romantic Comedies)

• ISBN13: 9781416974840
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants! to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any valu! e. But as the plot unfolds, a few barbed twists undercut the g! ood chee r, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerDisc 1: BUFFY THE VAMPIRE SLAYER (MOVIE) Disc 2: DRIVE ME CRAZYThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost gir! lfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about! a popular girl who turns her grungy next-door neighbor into a! dream d ate? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. The! se themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexis’s cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So what does this mean for Lucas, the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriend’s best friend, Natalie finds herself in quite the dilemma.

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