Murray Old Fashioned Ginger Snaps, 16-Ounce Packages (Pack of 12)

• Traditional ginger snap cookies
• Kosher Dairy
• Ships in Certified Frustration-Free Packaging

GINGER SNAPS - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte di! sposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker GINGER SNAPS BACK:BEGINNING - DVD MovieGINGER SNAPS 2:UNLEASHED - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformat! ion threatens their once unbreakable friendship, bonds of bloo! d and lo ve keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable frien! dship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Ginger and Brigitte, two sisters trapped in suburbia, are obsessed with mayhem, torture and death until they get a taste of the real thing. Bitten by a wild animal, Ginger begins to mature into a sexy, uncontrolled woman, with some nasty canine tendencied.Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (bl! ood, bodies, sex, smart dialogue, and good old-fashioned monst! er-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Murray Old Fashioned Gingersnaps take you back to days gone by. They remind you of a time when wheelbarrow races and skipping stones were the order of the day. This tasty, crispy, authentic ginger cookie is the perfect refreshment with an ice-cold glass of milk.

Certified Frustration-Free Packaging
Amazon.com has certified this product's packaging is Frustration-Free. A Frustration-Free Package is easy-to-open and comes without excess packag! ing materials such as hard plastic "clamshell" casings, plastic bindings, and wire ties. It is exactly the same as a traditionally packaged product--we've just streamlined the packaging to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging during shipping. Products with Frustration-Free Packaging can frequently be shipped in their own boxes, without the need for an additional shipping box. Learn more.

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Field of Dreams (Full Screen Two-Disc Anniversary Edition)

• * Digitally Remastered Picture with all-new 5.1 Surround Sound
• * Languages - English and French * Subtitles English, French and Spanish

“If you build it, he will come.” With these words, Iowa farmer Ray Kinsella (Kevin Costner) is inspired by a voice he can’t ignore to pursue a dream he can hardly believe. Also starring Ray Liotta, James Earl Jones and Amy Madigan, Field of Dreams is an extraordinary and unforgettable experience that has moved critics and audiences like no other film of its generation. Field of Dreams is a glowing tribute to all who dare to dream.A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his ! dreams of baseball glory for a dignified life as a small-town ! physicia n ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's! handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful ! emotion, affecting audiences so deeply that the baseball field! created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 107 minutes

A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come,"! and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jef! f ShannonA phenomenal hit when it was released in 1989, Field o f Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visiona! ry or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonAn Iowa farmer is inspired by a voice he cannot ignore to pursue a dream and turns his cornfield into a baseball field so that some baseball legends can come and play.
Genre: Feature Film-Drama
Rating: PG
Release Date: 23-AUG-2005
! Media Type: DVDA phenomenal hit when it was released in 19! 89, F ield of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a ! visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilli! ant adaptation of W.P. Kinsella's exquisite baseball novel ! Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of b! aseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon

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Objectified

• OBJECTIFIED (DVD MOVIE)

I Want My MTV. Think Small. Just Do It. Got Milk? Where do these phrases come from? ART & COPY introduces the cultural visionaries who revolutionized advertising during the industry s golden age in the 1960s by creating slogans to live by and ads we all remember. You may have never heard of them, but pop pioneers Lee Clow, Hal Riney, George Lois, Mary Wells, Jeff Goodby, Rich Silverstein, Phyllis K. Robinson, Dan Wieden, and David Kennedy have changed the way we eat, work, shop, and communicate often in ways we don t even realize. From the introduction of the Volkswagen to America to the triumph of Apple Computers, ART & COPY explores the most successful and influential advertising campaigns of the 20th century, and the creative minds that launched them.George Clooney (The Perfect Storm) and John Turturro (Cars 2)embark on the adventure of a lifetime in! this hilarious, offbeat road picture. And now, for the first time, this quirky gem shines more brightly than ever in Blu-ray High Definition! Fed up with crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (Clooney) busts loose...except he's still shackled to two misfits from his chain gang: bad-tempered Pete (Turturro), and sweet, dimwitted Delmar (Tim Blake Nelson). With nothing to lose and buried loot to regain, the three embark on a riotous odyssey filled with chases, close calls, near misses and betrayal. Experience every unpredictable moment as it plays out in the crystal-clear sound and breathtaking picture quality of Blu-ray. Populated with strange characters, including a blind prophet, sexy sirens, and a one-eyed Bible salesman (John Goodman), O Brother, Where Art Thou? will leave you laughing at every outrageous and surprising twist and turnOnly Joel and Ethan Coen, the fraternal director and producer team behi! nd art-house hits such as The Big Lebowski and Fargo! and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field di! alogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip KempObjectified is a feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them. In his second film, director Gary Hustwit (Helvetica) documents the creative processes of some of the world's most influential product designers, and looks at the creativity at work behind everything from toothbrushes to tech gadgets. What can we lea! rn about who we are, and who we want to be, from the objects w! ith whic h we surround ourselves?

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Alice in Wonderland

• Size approx 14" from head to feet
• officially licensed Disney plush doll

Tumble down the rabbit hole with Alice for a fantastical new adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old, returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny. This Wonderland is a world beyond your imagination and unlike anything you ve seen before. The extraordinary characters you ve loved come to life richer and more colorful than ever. There s the Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience Alice In Wonderland is an incredible feast for your eyes, ears and he! art that will captivate audiences of all sizes.Tim Burton was born to bring Alice in Wonderland to the big screen. Ironically, his version of the Victorian text plays more like The Wizard of Oz than a Lewis Carroll adaptation. On the day of her engagement party, the 19-year-old Alice (a nicely understated Mia Wasikowska) is lead by a white-gloved rabbit to an alternate reality that looks strangely familiar--she's been dreaming about it since she was 6 years old. Stranded in a hall of doors, she sips from a potion that makes her shrink and nibbles on a cake that makes her grow. Once she gets the balance right, she walks through the door that leads her to Tweedledum and Tweedledee (Matt Lucas), the Dormouse (Barbara Windsor), the Blue Caterpillar (Alan Rickman), and the Cheshire Cat (a delightful Stephen Fry), who inform her that only she can free them from the wrath of the Red Queen (Helena Bonham Carter channeling Bette Davis) by slaying the Jabberwocky. To pu! ll off the feat, she teams up with the Mad Hatter (Johnny Depp! in glam -rock garb), rebel bloodhound Bayard (Timothy Spall), and Red's sweet sister, the White Queen (Anne Hathaway in goth-rock makeup). While Red welcomes Alice with open arms, she plans an execution for the hat-maker when he displeases her ("Off with his head!"). Drawing from Alice's Adventures in Wonderland and Through the Looking-Glass, Burton creates a candy-colored action-adventure tale with a feminist twist. If it drags towards the end, his 3-D extravaganza still offers a trippy good time with a poignant aftertaste. --Kathleen C. Fennessy

Stills from Alice in Wonderland

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Samsung Focus I917 Unlocked Phone with Windows 7 OS, 5 MP Camera, and Wi-Fi--No Warranty (Black)

• Ultra-thin 3G-enabled Windows Phone 7 smartphone with 4-inch Super-Amoled touchscreen
• Windows Phone 7 OS provides easy access to social networking, personal/corporate e-mail, office apps, Xbox LIVE games, streaming media, and more
• 5-megapixel camera with HD 720p video capture;8 GB internal memory; microSD memory expansion; Wireless-N Wi-Fi;
• Up to 6.5 hours of talk time, up to 300 hours (12.5 days) of standby time; released in November, 2010
• What's in the Box: handset, rechargeable battery, charger, USB cable, quick start guide
• 5-megapixel camera with HD 720p video capture;8 GB internal memory; microSD memory expansion; Wireless-N Wi-Fi; Bluetooth stereo music; PS for navigation
• Bluetooth stereo music; PS for navigation

Bestselling author Mike Schmoker describes a plan for radically improving student learning that is built on three core elements:! a focused and coherent curriculum (what we teach); clear, prioritized lessons (how we teach); and purposeful reading and writing, or authentic literacy.

With this "less is more" philosophy, educators can help students learn content at a deeper level, develop greater critical thinking skills, and discover more clearly how content-area concepts affect their lives and the world around them.

Both a call to action and a blueprint for creating more effective classrooms, Focus: Elevating the Essentials for Radically Improved Student Learning will challenge your assumptions about schooling and show how educators who have embraced this approach quickly achieved spectacular results.

Meet Emily and Paul: The parents of two young children, Emily is the newly promoted VP of marketing at a large corporation while Paul works from home or from clients' offices as an independent IT consultant. Their lives, like all of ours, are filled with a bewildering b! lizzard of emails, phone calls, yet more emails, meetings, pro! jects, p roposals, and plans. Just staying ahead of the storm has become a seemingly insurmountable task.

In this book, we travel inside Emily and Paul's brains as they attempt to sort the vast quantities of information they're presented with, figure out how to prioritize it, organize it and act on it. Fortunately for Emily and Paul, they're in good hands: David Rock knows how the brain works-and more specifically, how it works in a work setting. Rock shows how it's possible for Emily and Paul, and thus the reader, not only to survive in today's overwhelming work environment but succeed in it-and still feel energized and accomplished at the end of the day.

YOUR BRAIN AT WORK explores issues such as:

- why our brains feel so taxed, and how to maximize our mental resources

- why it's so hard to focus, and how to better manage distractions

- how to maximize your chance of finding insights that can solve seemingly insurmountable problems

- ! how to keep your cool in any situation, so that you can make the best decisions possible

- how to collaborate more effectively with others

- why providing feedback is so difficult, and how to make it easier

- how to be more effective at changing other people's behavior

The Samsung Focus weighs 4.07 ounces and measures 4.84 x 2.56 x 0.39 inches. Its 1500 mAh lithium-ion battery is rated at up to 6.5 hours of talk time, and up to 300 hours (12.5 days) of standby time. It runs on the 850/900/1800/1900 MHz GSM/GPRS/EDGE frequencies as well as AT&T's dual-band 3G network (850/1900 MHz; HSPA/UMTS) plus international 3G networks (2100 MHz).

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RVCA Rodriguez Brothers Shirt - Long-Sleeve - Men's Red Oxide, M

• 100% cotton
• RVCA tag at left pocket and left side seam
• Button up front with a snap top button
• Double button (one of which is a snap) cuffs
• Two button closure chest pockets

We're all skaters, and that makes us all brothers, so feel free to rock the hip RVCA Men's Rodriguez Brothers Shirt when you pop wood on the streets. And then when you head out of town for some camping, you'll be expected to take the helm as designated wood-chopper given you'll be sporting the plaid flannel.

Product Features

• Material: cotton
• Fit: slim
• Center Back Length:
• Pockets: 2 chest patch
• Thumbholes:
• SPF Rating:
• UPF Rating:
• Recommended Use: streetwear
• Manufacturer Warranty: 6 months

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Avatar (Three-Disc Extended Collector's Edition)

• Condition: New
• Format: DVD
• DVD; Special Extended Version; Color; Dolby; DTS Surround Sound; Dubbed; NTSC; Subtitled; Surround S

Please note: This edition of the film is not in 3D.

Versions of Avatar on Blu-ray, DVD, and Video On Demand

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than ! eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Digital Purchase	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	Di! gital Rental	May 9, 2010	None
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Stills from Avatar (Click for larger image)

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KIDS FIRST! Review: Director/screenwriter/producer James Cameron brings his science fiction roots to DVD with the award-winning film, "Avatar." The almost three-hour epic is considered by many as the most beau! tiful movie ever produced thanks to its groundbreaking 3-D and! graphic s technology. Set in the far future, Jake Sully (Sam Worthington), travels to Pandora, a lush, jungle-covered extraterrestrial moon and home to a sentient humanoid race, the Na'vi. The 10-foot tall, blue-skinned Na'vi fight when a human corporation attempts to remove the indigenous people from their native lands. Human scientists create genetically-bred human-Na'vi hybrids known as Avatars to overcome the fact that they can’t breathe Pandora air. Jake participates in this program and encounters many dangers and beauties on Pandora as he scouts around. “Avatar” exhibits cinematographic and artistic excellence and creates interest in issues such as the environment. KIDS FIRST! Child Juror Comments: This DVD had great cinematography and amazing visual effects. One of my all-time favorite parts of the film was when Jake was walking through the forest of Pandora - everything lit up and looked amazing. The movie had a great soundtrack. It had a new age feel that felt like it! was inviting you into a new world. It made the whole thing seem tangible, which is great. I wanted to be part of that world. The acting was great, too! You could tell which characters were bad and which were good with some bad sides. Overall one of the best movies I've seen. The actors roles fit their appearance, and there was a lot of foreshadowing and hinting throughout the movie.After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native peo! ple who would very much like to live their peaceful lives with! out the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able ! to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

A reluctant hero. An epic journey. A choice between the life he left behind and the incredible new world he’s learned to call home. Return to James Cameron’s Avatarâ€" the greatest adventure of all time. Please note: This edition of the film is not in 3D.

Versions of Avatar on Blu-ray, DVD, and Video On Demand

Edition	Format!	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 min! utes of deleted scenes
Avatar (Original Theatrical Edition)	Digital Purchase	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	Digital Rental	May 9, 2010	None
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Stills from Avatar! (C lick for larger image)

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After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the plane! t and its inhabitants, Jake naturally begins to take a liking ! to the N a'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector’s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. And that's just what's on the first Blu-ray disc. The set's bonus feature run more than eight hours and include over 45 minutes of deleted scenes; actor's screen tests; on-location footage; feature-length documentaries on the film's groundbreaking production; an interactive scen! e-deconstruction feature that lets you explore different level! s of pro duction for 17 scenes; a comprehensive guide to the world of Pandora; and more. The greatest adventure of all time just got bigger and better.

Here's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although h! e's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central pl! ot. (The overextended "take that, Michael Bay" final battle se! quences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Versions of Avatar on Blu-ray and DVD

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus ! features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Contents of the Blu-ray Extended Collector's Edition
What follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.



Disc 1: Three Movie Versions

Original Theatrical Edition (includes family audio track with objectionable language removed)

Special Edition Re-Release (includes family audio track with objectionable language removed)

Collector’s Extended Cut with 16 additional minutes, including alternate opening on earth

Disc 2: Filmmaker's Journey

Over 45 minutes of never-before-seen deleted scenes

Capturing Avatar: Feature-length documentary covering the 16-year filmmakers’ journey, including interviews with James Cameron, Jon Landau, cast and crew

A Message from Pandora: James Cameron’s visit to the Amazon rainforest

The 2006 art reel: Original pitch of the Avatar ! vision

Brother termite test: Original motion capture t! est

The ILM prototype: Visual effects reel

Screen tests: Sam Worthington, Zoë Saldana

Zoë’s life cast: Makeup session footage

On-set footage as live-action filming begins

VFX progressions

Crew film: The Volume

Disc 3: Pandora's Box

Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template level, and final level with picture-in-picture reference

Production featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na’vi Costumes, Speaking Na’vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zea! land

Avatar original script

Avatar screenplay by James Cameron

Pandorapedia: Comprehensive guide to Pandora

Lyrics from five songs by James Cameron

The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na’vi, The Avatars, Maquettes, Na’vi Weapons, Na’vi Props, Na’vi Musical Instruments, RDA Designs, Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)

BD-Live Extras

BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time: Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang,! Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alons! o; speak ing Na’vi rehearsal footage; Weta Workshop: walk-and-talk presentation

Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector’s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. The set's bonus feature run more than three hours and include over 45 minutes of deleted scenes and a feature-length documentary on the film's groundbreaking production. The greatest adventure of all time just got bigger and better.

Versions of Avatar on Blu-ray and DVD

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 201! 0	Three versions of the mov! ie inclu ding the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Contents of the DVD Extended Collector's Edition



Review of the Original Theatrical Edition
Here's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable abou! t greedy colonizers (that would be mankind) messing up the lus! h tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of i! ts point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert HortonHere's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to! trump all previous sci-fi epics. Set in the future on a dista! nt plane t, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn betw! een his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Versions of Avatar on Blu-ray and DVD

!

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus featur! es including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Cont ents of the Blu-ray Extended Collector's Edition
What follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.



Disc 1: Three Movie Versions

Original Theatrical Edition (includes family audio track with objectionable language removed)

Special Edition Re-Release (includes family audio track with objectionable language removed)

Collector’s Extended Cut with 16 additional minutes, including alternate opening on earth

! Disc 2: Filmmaker's Journey

Over 45 minutes of never-before-seen deleted scenes

Capturing Avatar: Feature-length documentary covering the 16-year filmmakers’ journey, including interviews with James Cameron, Jon Landau, cast and crew

A Message from Pandora: James Cameron’s visit to the Amazon rainforest

The 2006 art reel: Original pitch of the Avatar vision

Brother termite test: Original motion capture test

The ILM prototype: Visual effects reel

Screen tests: Sam Worthington, Zoë Saldana

Zoë’s life cast: Makeup session footage

On-set footage as live-action filming begins

VFX progressions

Crew film: The Volume

Disc 3: Pandora's Box

Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template l! evel, and final level with picture-in-picture reference

!

Prod uction featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na’vi Costumes, Speaking Na’vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zealand

Avatar original script

Avatar screenplay by James Cameron

Pandorapedia: Comprehensive guide to Pandora

Lyrics from five songs by James Cameron

The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na’vi, The Avatars, Maquettes, Na’vi Weapons, Na’vi Props, Na’vi Musical Instruments, RDA Designs, ! Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)

BD-Live Extras

BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time: Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang, Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alonso; speaking Na’vi rehearsal footage; Weta Workshop: walk-and-talk presentation

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My Boy Jack

• Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred

They share the same birth month, so the orphanage calls them December Boys. But these teens â€" Maps, Spit, Spark and Misty â€" have much more in common. With no hopes of ever joining a family, they form their own familial bonds. Then the unexpected news comes that a young couple may adopt one of them, and the long-time pals suddenly share something else: a rivalry to be the chosen one.Oscar® nominee Laura Linney (Kinsey) stars as Laura Marshall, an overzealous, evangelical Christian do-goode! r who fills her home with down-and-out boarders, including a senile, cross-dressing murderous mute. Desperate to expand his horizons, Laura’s shy teenage son Ben (Rupert Grint, of Harry Potter fame) lands a job tending to self-proclaimed "Dame" Evie Walton (Oscar® nominee Julie Walters, Billy Elliot), an over-the-hill actress with the mouth of a drunken sailer and an insatiable lust for life. The battle for Ben’s soul begins as Evie shanghais Ben away from his repressive roots and takes him on an adventure that transforms him from boy to man. A winning entry at the 2006 Moscow International Film Festival, Driving Lessons is an experience Stephen Farber of Movieline calls "a delightful coming-of-age story."More down-to-earth than Auntie Mame, Driving Lessons imparts the same simple, but enduring messageâ€"be yourself. In the directorial debut from screenwriter Jeremy Brock (Mrs. Brown), 17-year-old Ben (Harry Potter's Rupert Gri! nt, sluggish yet sympathetic) lives with his vicar father, Rob! ert (Nic holas Farrell), and pious mother, Laura (Laura Linney doing a passable, but inconsistent British accent), in a tree-shaded London suburb. Soft-spoken Ben writes poems and looks forward to passing his driver's test. When his mother encourages him to get a job, he becomes an assistant to retired actress Evie Walton (Billy Elliot's Julie Walters, hunched up to look elderly). He finds her overbearing at first. Still, Evie is preferable to Laura, who may do volunteer work with her husband's parishioners, including bizarre boarder Mr. Fincham (Jim Norton), but also cheats on him with Reverend Peter (Oliver Milburn) and engages her resentful son in the subterfuge. Then Evie tricks Ben into driving her to Edinburgh for a poetry reading, where he learns to assert himself and she learns to put the dramatics on holdâ€"at least for a few minutes. Ben also loses his virginity to a woman he just met, sending a secondary message some parents might not appreciate (the film's sprinkli! ngs of profanity earned it a PG-13). Driving Lessons itself seems stranded between coming-of-age story and character study. Ironically, Farrell gives the most convincing performance as Ben's bird-loving father. Engaging if uneven, this parable about hypocrisy and self-expression might have been more interesting if presented from his perspective. --Kathleen C. Fennessy

Stills from Driving Lessons (click for larger image)

Beyond Driving Lessons at Amazon.com

More Films about Coming of Age

The Films of Julie Walters

Learn to Drive

Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the ! army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred, determined that his son should go to the front, like countless other sons, and fight for the values that he, Kipling, espouses so publicly. Using his fame and influence, Kipling persuades Lord Roberts, on his death bed, to get Jack a commission in the Irish guards. This intervention is barely tolerated by Carrie and daughter Elise (Carey Mulligan), as they disagree that Jack is fit to fight and fear for his safety on the front line. Jack is instantly popular with his troop he is a great leader and trains tirelessly to overcome the disability that is his eyesight. Six months later Jack sails to France as a lieutenant. Jack went missing in action during the Battle of Loos and his mother and father carried out an increasingly desperate search for him, spanning many years and many miles.

DVD Features:
! Deleted Scenes
Interviews

As affecting! as it i s thought-provoking, ITV's My Boy Jack illustrates the dangers of unbridled patriotism. To grow up the child of a famous author is burden enough, but when the boy must embody the beliefs of the man, the consequences can be devastating. In the case of John "Jack" Kipling (Harry Potter's Daniel Radcliffe in his most mature role to date), 17-year-old son of Rudyard Kipling (Four Weddings and a Funeral's David Haig), his father's passion for King and Country leads to a preventable tragedy. Based on Haig's play, the proceedings begin in 1914, prior to the outbreak of World War II. Jack attempts to join the army and the navy, but both reject him due to severe shortsightedness, so Kipling Sr. pulls strings to place him with the Irish Guards. Jack's sister, Elsie (Bleak House's Carey Mulligan), and American-born mother, Caroline (a brunette Kim Cattrall), would rather he serve the war effort at home. Through hard work and determination, Jack scales the ra! nks from private to lieutenant, but goes missing in France, and many months pass before the family solves the mystery of his disappearance. In the end, My Boy Jack, which aired in England on Remembrance Day, concerns itself more with paying tribute than apportioning blame, and Haig skillfully portrays Kipling's guilt in putting his son in harm’s way and pride in a brave soldier who "played his part properly." Special features include interviews and deleted scenes. Parental advisory suggested due to situation-appropriate language and teen smoking. --Kathleen C. Fennessy

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