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DRACULA:THE LEGACY COLLECTION - DVD MovieDRACULA - DVD MovieWhen Universal Pictures picked up the movie rights to a Broadway adaptation of
Dracula, they felt secure in handing the property over to the sinister team of actor Lon Chaney and director Tod Browning. But Chaney died of cancer, and Universal hired the Hungarian who had scored a success in the stage play: Béla Lugosi. The resulting film launched both Lugosi's baroque career and the horror-movie cycle of the 1930s. It gets off to an atmospheric start, as we meet Count Dracula in his shadowy castle in Transylvania, superbly captured by the great cinematographer Karl Freund. Eventually Dracula and his blood-sucking devotee (Dwig! ht Frye, in one of the cinema's truly mad performances) meet their match in a vampire-hunter called Van Helsing (Edward Van Sloan). If the later sections of the film are undeniably stage bound and a tad creaky, Dracula nevertheless casts a spell, thanks to Lugosi's creepily lugubrious manner and the eerie silences of Browning's directing style. (After a mood-enhancing snippet of
Swan Lake under the opening titles, there is no music in the film.)
Frankenstein, which was released a few months later, confirmed the horror craze, and Universal has been making money (and countless spin-off projects) from its twin titans of terror ever since. Certainly the role left a lasting impression on the increasingly addled and drug-addicted Lugosi, who was never quite able to distance himself from the part that made him a star. He was buried, at his request, in his black vampire cape.
--Robert HortonThe legend of Dracula continues in this gripping, masterful 2-disc edit! ion of cinema's most ominous vampire, digitally remastered for! the 75t h Anniversary Edition. Relive the horror, the mystery, and the intrigue of the original 1931 vampire masterpiece starring Bela Lugosi and directed by Tod Browning. The inspiration for hundreds of subsequent remakes and adaptations, this classic film launched the Hollywood horror genre with its eerie passion, shadowy atmosphere, and thrilling cinematography. The children of the night are callingWhen Universal Pictures picked up the movie rights to a Broadway adaptation of
Dracula, they felt secure in handing the property over to the sinister team of actor Lon Chaney and director Tod Browning. But Chaney died of cancer, and Universal hired the Hungarian who had scored a success in the stage play: Béla Lugosi. The resulting film launched both Lugosi's baroque career and the horror-movie cycle of the 1930s. It gets off to an atmospheric start, as we meet Count Dracula in his shadowy castle in Transylvania, superbly captured by the great cinematographer Karl Freund. Event! ually Dracula and his blood-sucking devotee (Dwight Frye, in one of the cinema's truly mad performances) meet their match in a vampire-hunter called Van Helsing (Edward Van Sloan). If the later sections of the film are undeniably stage bound and a tad creaky, Dracula nevertheless casts a spell, thanks to Lugosi's creepily lugubrious manner and the eerie silences of Browning's directing style. (After a mood-enhancing snippet of
Swan Lake under the opening titles, there is no music in the film.)
Frankenstein, which was released a few months later, confirmed the horror craze, and Universal has been making money (and countless spin-off projects) from its twin titans of terror ever since. Certainly the role left a lasting impression on the increasingly addled and drug-addicted Lugosi, who was never quite able to distance himself from the part that made him a star. He was buried, at his request, in his black vampire cape.
--Robert HortonWhen Universal Picture! s picked up the movie rights to a Broadway adaptation of
Dr! acula, they felt secure in handing the property over to the sinister team of actor Lon Chaney and director Tod Browning. But Chaney died of cancer, and Universal hired the Hungarian who had scored a success in the stage play: Béla Lugosi. The resulting film launched both Lugosi's baroque career and the horror-movie cycle of the 1930s. It gets off to an atmospheric start, as we meet Count Dracula in his shadowy castle in Transylvania, superbly captured by the great cinematographer Karl Freund. Eventually Dracula and his blood-sucking devotee (Dwight Frye, in one of the cinema's truly mad performances) meet their match in a vampire-hunter called Van Helsing (Edward Van Sloan). If the later sections of the film are undeniably stage bound and a tad creaky, Dracula nevertheless casts a spell, thanks to Lugosi's creepily lugubrious manner and the eerie silences of Browning's directing style. (After a mood-enhancing snippet of
Swan Lake under the opening titles, there is no mus! ic in the film.)
Frankenstein, which was released a few months later, confirmed the horror craze, and Universal has been making money (and countless spin-off projects) from its twin titans of terror ever since. Certainly the role left a lasting impression on the increasingly addled and drug-addicted Lugosi, who was never quite able to distance himself from the part that made him a star. He was buried, at his request, in his black vampire cape.
--Robert HortonThe vampire has always had audience appeal. What is amazing is that Hollywood shunned the King of Vampires for years fearing the story was too gruesome of any movie audience's palette. When Universal finally decided to make a screen production of the classic novel and successful Broadway play, they were not originally going to pursue Bela Lugosi for the part even though he had stunned audiences with his performance in the Broadway role for years. This MagicImage Filmbook traces the long trail of t! he classic 1931 production from legend to screenplay to film.! Includ es treatments, preliminary scripts even, for the first time anywhere, reproductions of some of Bram Stoker's original handwritten and typed draft manuscript for the novel. Special Introduction by Bela Lugosi and Preface by Carla Laemmle. Boris Karloff stars as the screen's most memorable monster in what many consider to be the greatest horror film ever made. Dr. Frankenstein (Colin Clive) dares to tamper with life and death by creating a human monster (Karloff) out of lifeless body parts. It's director James Whale's adaptation of the Mary Shelley novel blended with Karloff's compassionate portrayal of a creature groping for identity that makes Frankenstein a masterpiece not only of the genre, but for all time.Dracula Movie Bela Lugosi 1931 Poster Print - 11x17
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