Battat Take Apart Airplane

• 25 pieces set
• Includes 21 vehicle parts
• A power screwdriver with 3 different bits
• Requires 2 AA batteries (not included)
• For hours of imaginative play

This 25 piece set includes a 21 vehicle parts and power screwdrive with three different bits. This is a great item that promotes eye/hand coordination. Requires 2 AA batteries (not included)

• Product Measures: 9 3/4 x 9 3/4 x 6 1/4
• Recommended Ages: 3 years & up Small Parts

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Fargo (Special Edition)

• 2003 - MGM - Fargo - Rare Special Edition
• Frances McDormand, William H. Macy, Steve Buscemi
• Rated R - Director: Joel Coen - DVD
• Special Features - Widescreen / Standard Versions
• Collectible

Nominated* for seven Oscars(r) and winner of two, this darkly amusing thriller combines a first-rate cast, "a dazzling mix of mirth and malice" (Rolling Stone) and a bizarre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizonaand O Brother, Where Art Thou? *1996: Best Picture, Director, Actress (McDormand, won), Supporting Actor (Macy), Original Screenplay (won), Cinematography, EditingLeave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simu! ltaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

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Lost in Translation

• Oscar for Best Original Screenplay
• A Conversation with Bill Murray and Sofia Coppola
• "Lost" on Location: Behind the Scenes Documentary
• "City Girl" Music Video by Kevin Shields
• Extended and Deleted Scenes and More

Bill Murray (Lost in Translation) stars in the comedic story of an aging Don Juan who hits the road on a revealing and humorous cross-country journey. When a mysterious pink letter informs Don Johnston (Murray) that he may have a 19-year-old son, he visits four former lovers, where he comes face to face with the errors of his past and the possibilities of the future. From acclaimed director Jim Jarmusch and co-starring Sharon Stone, Frances Conroy, Jessica Lange, Tilda Swinton, and Jeffrey Wright, Broken Flowers is the highly original comedy that Peter Travers of Rolling Stone says is "filled with wonderful mischief" and "brings out the best in Bil! l Murray." Starring: Bill Murray, Sharon Stone, Jessica Lange, Jeffrey Wright, Tilda Swinton, Frances Conroy, Julie Delpy, Mark Webber, Chloe Sevigny, Christopher McDonald, Alexis Dziena Directed by: Jim JarmuschBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and T! ilda Swinton, The Deep End) who were once his lovers. P! art road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerUniversal, Studios, Region 2 PAL 2005 106 minsBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the i! ndispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfull! y eloquent about what's not being said. --Bret FetzerBi! ll Murra y gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's "Broken Flowers". Don Johnston (Murray, "Lost in Translation", "Rushmore") receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, "Shaft", "Basquiat"), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, "The Quick and the Dead"; Frances Conroy, "Six Feet Under"; Jessica Lange, "Sweet Dreams"; and Tilda Swinton, "The Deep End") who were once his lovers. Part road movie, part detective story, part existential meditation, "Broken Flowers" is even more minimalist than most Jarmusch movies ("Stranger Than Paradise", "Dead Man", "Mystery Train")--anyone looking f! or an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--"Broken Flowers" will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. "--Bret Fetzer"Bill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different w! omen (Sharon Stone, The Quick and the Dead; Frances Con! roy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzer

SHE WAS TOO GROWN-UP FOR CHILDISH GAMES.

BUT TOO YOUNG TO BECOME A WOMAN. . . .

Living with her parents and brother, Ian, in her Grandmother Emma's enormous mansion, Jordan March tries to be a good girl and follow her grandmother's strict rules. It's ! easy for Jordan to hide in the shadows -- between Ian's brilliant, all-consuming talents for science and the ever-more-frequent arguments among the grown-ups. But one day, without warning, Jordan's body begins to change -- and everyone notices her in a way that seems dark, dangerous, and threatening. Suddenly the March family secrets are unleashed, and Jordan is ashamed and afraid that her soft curves are unwelcome indeed. Shipped off to a lakeside hideaway, Jordan and Ian befriend a girl whose shocking revelations make for a summer of scandal and explosive emotion. Outraged, Grandmother Emma sets out to make Jordan pay for her family's past mistakes, sending her world spinning wildly out of control. . . .

Bill Murray (Actor), Scarlett Johansson (Actor), Sofia Coppola (Director) | Rated: R | Format: DVD

• # DVD Release Date: May 3, 2009
• # Run Time: 104 minutes

Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura! of fantastic light, moody sound, head-turning love, and a fee! ling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of ! bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas

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Get Carter

• A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness Carter exhibits all the unstopability of t

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-OCT-2001
Media Type: DVDFor Get Carter, the able Michael Caine checked in his likable working-class-bloke persona to play a very unlikable working-class bloke, London gangster Jack Carter. Heading "up north" to get to the bottom of the recent death of his brother, he runs afoul of the local color, who don't appreciate his meddling. Not content to accept the police report of su! icide, Carter begins investigating. He encounters the local mob boss, his sleazy chauffeur with eyes like "piss holes in the snow," and the lovely town porn star. The film moves along at a leisurely pace, until Carter finds out the grim truth. The final third of the film has Jack Carter on the vengeance path. No one in this film gets a happy ending. When it's over, you feel as though you need to wipe the soot off yourself and go stand under a sun lamp. The British board of tourism would prefer you didn't watch this film. --Kristian St. Clair

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Blood Diamond (Widescreen Edition)

• An ex-mercenary turned smuggler (Leonardo DiCaprio). A Mende fisherman (Djimon Hounsou). Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately bea

An ex-mercenary turned smuggler (Leonardo DiCaprio). A Mende fisherman (Djimon Hounsou). Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately beautiful and ravaged countryside. Directed by Edward Zwick (Glory, The Last Samurai), this urgent, intense! ly moving adventure shapes gripping human stories and heart-pounding action into a modern epic of profound impact.Leonardo DiCaprio puts a handsome face on an ugly industry: In parts of Africa, diamond mining fuels civil warfare, killing thousands of innocents and drafting preteen children as vicious soldiers. DiCaprio (The Departed) plays Danny Archer, a white African soldier-turned-diamond-smuggler who gets wind of a large raw jewel found by Solomon Vandy, a native fisherman (Djimon Hounsou, In America) recently escaped from enslavement by a brutal rebel leader. Archer offers a deal: He'll help Vandy find his war-scattered family if Vandy will share the diamond with him. Drawn into this web of exploitation is journalist Maddy Bowen (Jennifer Connelly, Little Children), who agrees to help if Archer will tell her the details of how conflict diamonds make their way into the hands of the corporations who sell them to the Western world. DiCaprio is compell! ing because he never flinches from Archer's utter ruthlessness! ; Archer ends up doing the morally justifiable thing, but only because his desperate greed has led him to it. Hounsou and Connelly, though saddled with all the moral and political speeches, rise above the cant and keep the movie's treacherously formulaic plot rooted in human characters. But in the end, the story won't stick with you as much as the dead stillness in the child soldiers' eyes; the horror of African civil strife refuses to be contained by Blood Diamond's uplifting message--and the movie is all the more potent as a result. --Bret Fetzer

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Boss Audio Systems CH6530 Chaos Series 6.5-Inch 3-Way Speaker

• 1/2" PIEZO Dome Tweeter
• 300 Watts Peak Power
• Poly Injection Cone
• 30 oz. Magnet Structure
• Freq. Response 100Hz-18Hz

Boss Audio CH6530 Chaos Series 6.5" 3-way Speaker

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Alone in the Dark

• A New Inventory System ¿ Players utilize the pockets of protagonist Edward Carnby to hold items which they can view, switch and combine without leaving the game.
• Narrative intensity ¿ Taking its cues from blockbuster TV dramas, the story is told in a TV season style narrative structure based around episodes that deliver maximum intensity throughout and keep the player hooked.
• A Captivating Story ¿ Centered in iconic Central Park long-time series protagonist and paranormal specialist Edward Carnby returns to delve into the frightening events occurring in the Big Apple.
• Real World Rules ¿ In-Game movement has been designed to allow players to do almost anything that is physically possible in the real world.
• Photographic Rendering ¿ Game developer Eden¿s Propriety ¿Twilight¿ technology creates a lavishly detailed game world with highly realistic and advanced cinema! tographic effects.

Alone in the Dark X360There?s something strange and frightening happening in the middle of New York City?s Central Park; something whispered to have been intentionally kept secret; something that players are compelled to explore in Alone in the Dark.

Known today as a safe haven for New Yorkers yearning for relief from the stresses of their chaotic metropolis, history records that Central Park was built on a useless swamp, yet as the New York City skyline hurtled towards the sky over the last 150 years, making the city the most expensive real estate in the world, the park has remained untouched. Why? Civic pride? Perhaps, but the recent strange happenings in and around the park are casting doubt on that, doubts that require investigating.

The return of! an icon ic series

Paranormal PI Edward Carnby. View larger.

Stunningly spooky views of NYC. View larger.

The odd wildlife of Central Park. View larger.

A whole new inventory system. View larger.

Enter Edward Carnby, Paranormal Investigator
Despite the title, Alone in the Dark is actually the fifth game in a series that dates back to 1992 and centers around the experiences of Edward "the reptile" Carnby. A paranormal investigator by trade, Carnby is looking for answers to the strange events and horrific creatures reported in and around the park, but gets more than he bargained for when all the mysteries and terrors of the park spill out over the course of one apocalyptic night. It?s the player?s task to avoid the new frightening dangers of the park as you search for the answers to what these supernatural occurrences mean and why they are happening.

Gameplay Based on Full Player Immersion
Packed full of action and vivid in its realism Alone in t! he Dark goes to the extreme to keep players engaged and im! mersed b y plunging them into the heart of the action in real-time at every turn and challenging them to survive using full movement control. The goal here is to allow players to do or at least feel that they can do more or less whatever is possible in real life, within the game.

Need to avoid a blast of steam or an eruption of fire that has shot up in your path? You can simply side-step it or you can handle the obstacle with a little more panache by using the environment around you, for example by swinging around it using reachable pipes or wires. In another situation you may be challenged by attacking monsters. No problem. You can take the path of least resistance, again by side-stepping them or placing an obstacle between yourself and them, but if you are feeling like taking out a little aggression you can pick up a board, chair, box, etc. and have at it. Nearly anything that you come across that would be usable in real life is usable in game and can be wielded in several diffe! rent ways.

In addition, game developer Eden Studios has done away with a few in-game conventions in favor of real life upgrades. Instead of old-fashioned health bars Alone in the Dark uses realistic body damage and physiological effects to show players how much damage has been done to Carnby by the new dangerous nightlife of Central Park. Basically this means if Carnby has been taking a licking he?s going to be a little bloody. Monsters use sensory perception of all kinds to find their victims, so players need to keep aware of Carnby?s physical state, as well as the impact he has on his surroundings. Also gone are traditional inventory systems that take players out of the game while you switch or check items in your possession, replaced by an in-game inventory system where items are carried in the folds of Carnby?s trench coat. This allows you to stay in the action the whole time. Sticking with the realism theme, the number of items that Carnby can carry is limite! d, but since ingenuity is built into the system, items can be ! combined or their uses altered, mostly with tape, so players can adjust as challenges arise.

TV Style Intensity That Keeps You Hooked
Built around a unique television style episodic narrative game structure, the storyline of Alone in the Dark is split into a number of distinct 30-40 minute episodes, doled out one at a time as you play. This new way to progress through the storyline ensures that players can enjoy the game regardless of the amount of time they have available without ever feeling lost. Each time a saved game is launched, the episode will begin with a video summary of the previous episode to quickly re-immerse the player in the story, removing the need to remember where you were or what you were doing at the end of your last play session. In addition, every episode will also close with a nail-biting, cliff-hanger ending to rattle players? nerves. And when you choose to leave the game, a video teaser of the next episode will play to leave players alw! ays wanting more.

Vivid Photographic Rendering
Even on a bad day, and this will be a bad one, Central Park and New York City are something to see. With Game developer Eden?s proprietary Twilight technology and rendering engine, players can expect to see everything from the City?s famous landmarks to the manifestations of the evil that have been festering in Central Park come to life as if you were there. This lavishly detailed game world takes advantage of highly realistic and advanced cinematographic effects including depth of field, camera focus, numerous light sources, moisture, reflections and High Dynamic Range effects.

Whether it?s the innovative game play, the unique episodic game structure, the advanced physics or the return of a ground-breaking protagonist recast in the modern era, Alone in the Dark holds something for players willing to take on the mysteries and dangers at the heart of Central Park.

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Book of Shadows: Blair Witch Project 2 - Movie Poster - 30 X 40

• Brand New Original 2000 Theatrical Release UK Quad Movie Poster
• New and Unused
• Double Sided.

This thoroughly second-rate follow-up to the groundbreaking (and highly profitable) horror flick The Blair Witch Project--produced by Blair Witch directors Daniel Myrick and Eduardo Sanchez--plays with the notions of reality and fantasy that surrounded the hype of the original movie, and attempts to throw in some scares along the way. A year after the release of the original film, a group of five Blair Witch aficionados--four out-of-towners led by one seriously unhinged "tour guide"--venture into the woods outside Burkittsville, Maryland, on a tour of the sites made famous by missing documentarians Heather, Mike, and Josh. After a drunken night of camping out in hopes of communing with the spirit of the Blair Witch, the five wake up to find that their seemingly innocent s! leep may have been disturbed somehow. But what exactly happened? If you're expecting suspense of the first degree and a horrifying payoff similar to the one that climaxed the first film, you'll be sorely disappointed. After retreating to an old, run-down broom factory (get it? Broom factory? Blair Witch? Oh well...), the five go over their videotapes of the night in question to get some answers, and basically wind up screaming at each other for the remainder of the film, and shedding some blood along the way. Documentary filmmaker Joe Berlinger (of the highly acclaimed Paradise Lost and Brother's Keeper) proves that he should definitely stick to nonfiction filmmaking, and the entire cast is grating and unpleasant, aside from a scene-stealing turn by Kim Director as a goth chick with attitude to burn and a no-nonsense approach to this Blair Witch stuff. Strictly for hard-core Blair Witch fans only, and even then this sequel may prove to disappoint. --! Mark Englehart IN OCTOBER 1994, THREE STUDENT FILMMAKERS D! ISAPPEAR ED
IN THE WOODS NEAR BURKITTSVILLE, MARYLAND,
WHILE SHOOTING A DOCUMENTARY...

FIVE YEARS LATER, THE FILM THEY SHOT BECAME
ONE OF THE MOST PROFITABLE MOTION PICTURES IN HISTORY.

People across America were stunned by the runaway success of "The Blair Witch Project(TM) " -- none more so than the residents of Burkittsville. Suddenly the little western Maryland farming village was flooded with tourists seeking mementos of the fabled Blair Witch. Road signs disappeared, backpackers clogged local hiking trails, graveyards filled with enthusiasts trying for a firsthand glimpse of the supernatural.

While most Burkittsville residents -- in particular Sheriff Ron Cravens -- were angered by this wave of visitors, others took a more pragmatic approach. Like Jeff Patterson, who started up a business called the Blair Witch Hunt. At first, Patterson simply sold caps, T-shirts, and coffee mugs over the Internet. Then he decided to lead a group of four tourists into th! e Black Hills himself.

If you saw the film "Book of Shadows: Blair Witch 2, " you know what happened to Jeff Patterson, Kim Diamond, Stephen Ryan Parker, Tristen Ryler, and Erica Geerson.

BUT YOU ONLY KNOW HALF THE STORY UNTIL YOU READ THIS BOOK.

Compiled with the aid of noted paranormal journalist D.A. Stern, the material gathered herein reveals:

The secrets hidden in Jeff Patterson's troubled past The research Stephen and Tristen conducted for their book "The Blair Witch: Hysteria or History?" The eerie similarity between the Blair Witch and the little-known seventheenth-century legend of Bloody Sam Caine The genesis of the Blair Witch HuntPhotos and news reports relating to the caseThis thoroughly second-rate follow-up to the groundbreaking (and highly profitable) horror flick The Blair Witch Project--produced by Blair Witch directors Daniel Myrick and Eduardo Sanchez--plays with the notions of reality and fantasy that surrounded the hype of ! the original movie, and attempts to throw in some scares along! the way . A year after the release of the original film, a group of five Blair Witch aficionados--four out-of-towners led by one seriously unhinged "tour guide"--venture into the woods outside Burkittsville, Maryland, on a tour of the sites made famous by missing documentarians Heather, Mike, and Josh. After a drunken night of camping out in hopes of communing with the spirit of the Blair Witch, the five wake up to find that their seemingly innocent sleep may have been disturbed somehow. But what exactly happened? If you're expecting suspense of the first degree and a horrifying payoff similar to the one that climaxed the first film, you'll be sorely disappointed. After retreating to an old, run-down broom factory (get it? Broom factory? Blair Witch? Oh well...), the five go over their videotapes of the night in question to get some answers, and basically wind up screaming at each other for the remainder of the film, and shedding some blood along the way. Documentary filmmaker Joe B! erlinger (of the highly acclaimed Paradise Lost and Brother's Keeper) proves that he should definitely stick to nonfiction filmmaking, and the entire cast is grating and unpleasant, aside from a scene-stealing turn by Kim Director as a goth chick with attitude to burn and a no-nonsense approach to this Blair Witch stuff. Strictly for hard-core Blair Witch fans only, and even then this sequel may prove to disappoint. --Mark Englehart Original 2000 Theatrical Release British Quad Movie Poster.
Measures 30" x 40" (inches)
The poster is double sided, rolled, and unused and will be shipped to you packed in plastic tubing and then inside strong pvc pipe for maximum protection.

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