- - Deluxe Digipak (Collector's Edition)
- - Region 5
The Dawn Treader will take you places you never dreamed existed.
The BBC Radio production of The Voyage of the Dawn Treader is a delightful two-hour sail on the most fabulous ship in Narnia. Lucy and Edmund, with their dreadful cousin Eustace, get magically pulled into a painting of a ship at sea. That ship is the Dawn Treader, and on board is Caspian, King of Narnia. He and his companions, including Reepicheep, the valiant warrior mouse, are searching for seven lost lords of Narnia, and their voyage will take them to the edge of the world. Their adventures include being captured by slave traders, a much-too-close encounter with a dragon, and visits to many enchanted islands, including the place where dreams come true. The adaptation is faithful to its source, C.S. Lewis's series of Narnia books, which have provi! ded exciting and uplifting tales for generations of children. BBC Radio does wonders with sound effects--the ship creaks in the wind, the sorrowful dragon roars lugubriously--and musical cues and interludes that keep the pacing dynamic. There's also a splendid cast of plummy British voices, making this far more than a book read onto cassette--it's an audio drama, as enjoyable as a trip to the theater. Grownups who buy this tape for their children will want to borrow it for themselves. (Running time: two hours, two cassettes) --Blaise SelbyThe Dawn Treader will take you places you never dreamed existed.
Return to the magic and wonder of C. S. Lewis' epic world in this third installment of the beloved Chronicles of Narnia fantasy-adventure series. When Lucy and Edmund Pensive, along with their cousin Eustace, are swallowed into a painting and transported back to Narnia, they join King Caspian and a noble mouse named Reepicheep aboard the magnificent ship ! The Dawn Treader. The courageous voyagers travel to mysterious! islands , confront mystical creatures, and reunite with the Great Lion Aslan and a mission that will determine the fate of Narnia itself! The third film based on C.S. Lewis's fantasy books, The Voyage of the Dawn Treader opens three years after the Pevensie children return from battling to restore peace to Narnia in The Chronicles of Narnia: Prince Caspian. Edmund (Skandar Keynes) and Lucy (Georgie Henley) are still staying with Eustace (Will Poulter), while Peter and Susan have gotten older and moved on to school and America, respectively. Still as surly and unbelieving as ever, Eustace continues to mock his cousins for their Narnian fantasies. But when water begins spilling into their room from a painting hanging on the wall, all three young people are swept onto the decks of the sailing ship known as the Dawn Treader, which is afloat in the waters of Narnia. This time, there are no wars to be fought in Narnia. But it soon becomes evident that the trio is destined to! help King Caspian (Ben Barnes) solve the mystery of the disappearance of the seven lords of Telmar, and prevent the ongoing sacrifices of large groups of Narnian people to the evil green mist. So begins a quest through uncharted waters that will require each of the children to resist temptations like beauty and power, and to conquer the darkness within themselves in order to defeat the threat to Narnia's people. The battle promises to yield unexpected heroes, and through their journey, Edmund, Lucy, Eustace, and even King Caspian and Reepicheep (voiced by Simon Pegg) each grow and mature. Eventually, Aslan (voiced by Liam Neeson) will ask each adventurer to make an important choice that will forever influence his or her future. The Voyage of the Dawn Treader features plenty of high adventure, sword-fighting action, and personal peril, and while it fails to fully capitalize on the characters' motivations or to earn viewers' full emotional investment, it is still a so! lid addition to the Narnia film series. (Ages 7 and old! er) - -Tami HoriuchiORIGINAL MOTION PICTURE SOUNDTRACK
{Directed by Oscar winner Vanessa Roth}
{Inspired by the New York Times bestseller "Teachers Have It Easy"}
{Produced by Best-Selling Author Dave Eggers ("A Heartbreaking Work of Staggering Genius").}
{Endorsed by Teacher's Unions representing millions of teachers.}
{Seen as the answer to "Waiting for Superman" and "The Lottery".}
{Opened in theatres with an $8000+ per screen average in first week and rave reviews.}
{Microsoft's Partners in Learning has launched a community screening tour in more than 400 cities and towns across the country.}
As the debate over America's public schools rages on, the one thing everyone agrees on is the need for great teachers. Yet while research has shown that teachers are the most important in-school factor in a child's success, America's educators are so underpaid that almost two-thirds must work a second job in order to make a living.
Chronicling the stor! ies of four teachers in different areas of the country, Americ! an Teach er reveals the frustrating realities of today's teachers, the difficulty of attracting talented new educators, and why so many of our best teachers leave the profession altogether. Can we re-value teaching and turn it into a prestigious, financially attractive and desirable profession? With almost half of American teachers leaving the field in the next ten years, now is the time to find out.
Love, American Style was an hour-long television anthology which originally aired between September 1969 and January 1974. For the 1971 and 1972 seasons it was a part of an ABC Friday prime-time lineup that also included Brady Bunch, The Partridge Family, Room 222, and The Odd Couple. Each week, the show featured different stories of romance, usually with a comedic spin. All episodes were unrelated, featuring different characters, stories and locations. The show often featured the same actors playing different characters in many episodes. In addition a large and ornate brass bed was a! recurring prop in many episodes. Charles Fox's delicate yet hip music score, featuring flutes, harp, and flugelhorn set to a contemporary pop beat, provided the "love" ambiance which tied the stories together as a multifaceted romantic comedy each week.Frustrated newlyweds and bickering marrieds, lecherous executives and bodacious secretaries, uptight squares and free-spirited hippies, suspicious wives and nervous husbands, inexperienced teens and swinging seniors. Theyâre all part and parcel of Love, American Style, the era-defining anthology series that offered a comedic look at the so-called "new morality." Rebounding after studio-imposed DVD-interruptus, this three-disc set contains the 12 episodes that complete Season One. Each contains two or three playlets. Unlike The Love Boat, all are played for laughs: A honeymooning groom accidentally locks himself in an antique storeâs chastity belt; A bachelor pretends to have a wife and children to se! duce a coworker who only dates married men; A harried man disc! overs hi s favorite restaurant has gone topless just as his wife surprises him for lunch. One intriguing story is "Love and the High School Flop-Out," whose story about an awkward teen who has the house to himself while his parents are out of town anticipates Risky Business, complete with friends who suggest he rent out the house for an "orgy." Love plays it completely straight. In one story, a newlywed complains her husband seems to be losing interest in her, prompting her mother to inquire if he is "strange." In another, an interior decorator in love with a mobsterâs daughter is dismissed by him as a "petunia" until he dispatches the thugâs henchmen ("The fact that I have taste and a certain flair for color and design doesnât make me any less of a man," he argues). And in another, two bickering male business partners visit a marriage counselor to sort out their troubles. Of course, what really makes this show such a star-spangled affair is each episodeâs roste! r of character actors, TV Land cult faves, and future stars. Burt Reynolds already has his smirk going as a soldier whose wife has written a scandalous bestseller in "Love and the Banned Book." An 18-year-old Kurt Russell portrays a high school student poised to lose his virginity in "Love and the First-Nighters." Love American Style is hip enough to reference Alice B. Toklas, Bonnie & Clyde, Rosemaryâs Baby and Federico Fellini, but its chauvinistic attitudes now make the once-naughty show seem almost endearingly quaint. Still, to watch "Love and the Nervous Executive," which pairs prissy Paul Lynde with va-voom "Mighty Carson Arts Players" bombshell Carol Wayne, or "Love and the Big Night" with Tony Randall and Julie "Catwoman" Newmar, is to fall in Love all over again. --Donald LiebensonLove, American Style was an hour-long television anthology which originally aired between September 1969 and January 1974. For the 1971 and 1972 seaso! ns it was a part of an ABC Friday prime-time lineup that also ! included Brady Bunch, The Partridge Family, Room 222, and The Odd Couple. Each week, the show featured different stories of romance, usually with a comedic spin. All episodes were unrelated, featuring different characters, stories and locations. The show often featured the same actors playing different characters in many episodes. In addition a large and ornate brass bed was a recurring prop in many episodes. Charles Fox's delicate yet hip music score, featuring flutes, harp, and flugelhorn set to a contemporary pop beat, provided the "love" ambiance which tied the stories together as a multifaceted romantic comedy each week. No "I Love the '70s" party will be complete without this blast from the groovy past, when women were "chicks," beaded door curtains were cool, and Carl Betz got top billing over Harrison Ford. Love American Style was an anthology series of comedic playlets about modern love, some sweet (two shy ventriloquists let their dummies do the talking in "Love and! the Dummies"), some silly (a greeting-card writer's romance is threatened by his penchant for practical jokes in "Love and the Joker"), and some mildly risqué (In "Love and a Couple of Couples," a man regards his ex-wife's posterior as she asks of their former marital bed, "Is it still firm?"). A more apt title for this series could be, "Comedy, Neil Simon-style." One of the more interesting segments is "Love and the Good Deal," co-written by Garry Marshall, and which plays like a deleted act from Barefoot in the Park in which newlyweds Paul and Corie look for a new bed for their cramped apartment.Love American Style debuted in 1969, a year in which the networks started to reach out to "modern people living in a modern world" with shows such as Rowan & Martin's Laugh-In, The Mod Squad, and The Music Scene (which anticipated Saturday Night Live with its mix of satirical sketches and contemporary music). Love American Style! I> was hip enough to feature a story called "Love and the Pill! " and to refer to Philip Roth's novel Goodbye, Columbus. But traditional values invariably triumphed. In "Pill," a young man tells his girlfriend's overwrought parents that they have abstained from you-know. "That's the way we happen to feel about it," he reassures them. But what we truly love about American Style are the casts. You'd have to sail The Love Boat or visit Fantasy Island to find such a stellar gathering of Hollywood greats, comic legends, TV Land faves, future stars, and unsung character actors with the indelible and unforgettable faces. To name a few: Bill Bixby, Sid Caesar, Hans "Uncle Tonoose" Conreid, Broderick Crawford, Dwayne "Dobie Gillis" Hickman, David Ketchum (Agent 13 on Get Smart), Shari Lewis, Regis Philbin, Connie Stevens, Larry Storch, Paul "Tigger" Winchell, Joe Flynn and Carl Ballentine from McHale's Navy, and Mr. Ford, who shows up as Roger, the boyfriend, in "Love and the Former Marriage." Stuart Margolin (The Rockford Files) is the most recognizable face of the show's stock company who appear in Laugh-In-style blackouts that link the stories. These are hit and miss, but some are blink-twice bizarre, as the one in which a black man reassures his reluctant fiancée, "Okay, we'll raise the kids Jewish." So cue the Cowsills ("Love American Style/Truer than the red, white and blueâ¦.") and ignite the fireworks. It's dated, yes, but Love will never go out of style. --Donald LiebensonThis DVD is a requirement for every ASL teacher as well as for full use part of an American Sign Language / Deaf Studies and Interpreter Training programs (ITP). Avery Posner will guide every viewer how to explicitly use Idioms & Phrases in American Sign Language, Vol. 1 DVD in a classroom environment. You will learn how to incorporate activities, provide handouts from the workbook (ISBN/EAN13:144144811X / 9781441448118) and plan your courses for 8 or more weeks. This DVD ! will show you how to provide quiz and do homework review.
Ov! er an ho ur and half of easy to follow introduction and instructions, every viewer will appreciate this most powerful teaching tool yet at a fraction of the cost! As a bonus, this DVD also includes all 52 idioms and phrases and their sentence examples seen in the student volume 1 DVD. Thus, you will have an all in one solution to teach the first 52 idioms!
Summary:
Your experience teaching idioms and phrases in American Sign Language (ASL) begins with us! Throughout this DVD, you will learn how to teach over 50 idioms and phrases in ASL about all facets of everyday life. You will also learn how to use these expressions in complete English and ASL sentences, activities and more.
Since idioms and phrases are important part of daily conversations among Deaf / Hard-of-Hearing students, ASL teachers, parents and professionals, it is normal
for one to encounter difficulties interpreting and/or translating these expressions into ASL and English. Our unique teachings will involv! e a media-rich bilingual
presentation that is excellent for both Deaf / Hard-of-Hearing and ASL enthusiasts.
This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
Kurt Cobain loved him, Don't you do too?(4x6) The Devil and Daniel Johnston (Documentary) Movie Postcard
A murder in the silent after-hour halls of the Louvre museum reveals a sinister plot to uncover a secret that ! has been protected by a clandestine society since the days of Christ. The victim is a high-ranking agent of this ancient society who, in the moments before his death, manages to leave gruesome clues at the scene that only his granddaughter, noted cryptographer Sophie Neveu, and Robert Langdon, a famed symbologist, can untangle. The duo become both suspects and detectives searching for not only Neveu's grandfather's murderer but also the stunning secret of the ages he was charged to protect. Mere steps ahead of the authorities and the deadly competition, the mystery leads Neveu and Langdon on a breathless flight through France, England, and history itself. Brown (Angels and Demons) has created a page-turning thriller that also provides an amazing interpretation of Western history. Brown's hero and heroine embark on a lofty and intriguing exploration of some of Western culture's greatest mysteries--from the nature of the Mona Lisa's smile to the secr! et of the Holy Grail. Though some will quibble with the verac! ity of B rown's conjectures, therein lies the fun. The Da Vinci Code is an enthralling read that provides rich food for thought. --Jeremy Pugh
But that's only the beginning of Lauraâs movement toward enlightenment, and back to life. Beyond Rangoon ab! ounds in memorable encounters--with individuals variously supp! ortive a nd terrifying, and with locations and situations where hope and catastrophe trade off like valences of the same energy. As critic Kathleen Murphy has noted, "It's as though the fabric of reality shivers like water, racking focus into a new, altered pattern of experience." (Case in point: the startling image of a car's rear window star-shattered by a pursuer's bullet as Laura drives down an almost nonexistent jungle road--the pursuit car sharply irised in the bullet hole.) Boorman makes us feel the total chaos of a spectacularly beautiful land that is not only at the mercy of a brutal regime but utterly cut off from an outside world that doesn't, can't, know what's happening there. In this, Boorman's movie immeasurably increased awareness of Burma's tragedy, but it hasn't prevented the government of what's now called Myanmar from keeping Aung San Suu Kyi under house arrest more than 20 years later. --Richard T. JamesonA young San Francisco widow is swept into a politic! al uprising in Burma after her sister reluctantly drags her on a Southeast Asia tour.Working at the top of his form, John Boorman is a director who can pursue the poetry of his personal obsessions within the framework of a dynamic thriller and not shortchange the film. Beyond Rangoon involves a journey into unfamiliar territory: the rivers, jungles, and war-torn backcountry of Burma in 1988; But it also ventures into the mythic Arthurian terrain of such seemingly disparate films as Excalibur, Point Blank, and Deliverance. This time, uniquely in this director's work, the quester is a woman. American doctor Laura Bowman (Patricia Arquette) regards her life as having ended after the brutal murder of her husband and their little boy by home invaders. Her sister (Frances McDormand) has persuaded her to come along on a sightseeing tour of Burma. The trip leaves Laura numb until, impulsively venturing into the night alone, she becomes witness to a crisi! s moment in history: the beginning of the military dictatorshi! p's viol ent crackdown on the rising democracy movement. The sight of Aung San Suu Kyi, the dissidents' inspirational leader, facing down a wall of armed soldiers with only the power of serene self-possession inspires Laura (an amazing scene--and it really did happen).
But that's only the beginning of Lauraâs movement toward enlightenment, and back to life. Beyond Rangoon abounds in memorable encounters--with individuals variously supportive and terrifying, and with locations and situations where hope and catastrophe trade off like valences of the same energy. As critic Kathleen Murphy has noted, "It's as though the fabric of reality shivers like water, racking focus into a new, altered pattern of experience." (Case in point: the startling image of a car's rear window star-shattered by a pursuer's bullet as Laura drives down an almost nonexistent jungle road--the pursuit car sharply irised in the bullet hole.) Boorman makes us feel the total chaos of a spectacularly beau! tiful land that is not only at the mercy of a brutal regime but utterly cut off from an outside world that doesn't, can't, know what's happening there. In this, Boorman's movie immeasurably increased awareness of Burma's tragedy, but it hasn't prevented the government of what's now called Myanmar from keeping Aung San Suu Kyi under house arrest more than 20 years later. --Richard T. JamesonBURMA VJ - DVD MovieKudos to Oscilloscope Laboratories for their decision to distribute this crucially important documentary, Burma VJ: Reporting from a Closed Country. This Academy Award-nominated feature-length film charts the revolutionary tactics that a small media outpost, Democratic Voice of Burma, has undertaken to smuggle video footage out of their country. Director Anders Ãstergaard treats the narrative with reporter's accuracy, yet manages to convey the emotional upheaval and sheer grief that Burmese populations are experiencing under militaristic government rule.! Burma VJ is narrated by "Joshua," an exiled head repor! ter at t he DVB's television station, which is in enough constant peril that they use a secret mail process to get all Burmese news footage directly shipped through courier to safe haven in Norway. Joshua, whose name was changed to protect his identity, describes the current political climate in Burma with gentle intelligence, while his video footage, shot from an unbelievably pathetic selection of what seems to be about five coveted video cameras and cell phones, illustrates his points. While there are short interview clips featuring citizens who risk their lives to speak out or put a hand to the camera for fear of discovery, most footage chronicles the 2007 uprising in Rangoon, where Buddhist monks lead the masses in a peaceful protest to free key military prisoners. Their demonstrations and the passions that permeate their formation are chilling and inspirational. Viewers beware, as one witnesses, following these gatherings, monks being violently beat up, bloodied, and even killed! . To the film's credit, the violence is edited so that it is potent and disturbing, but does not dwell on the deceased in a disrespectful or sensationalistic manner. Spending ample time listening to the monks' speeches, and on watching interviews with them directly, one develops sympathy for their pleas for help and would be hard-pressed not to become a converted supporter. An extras feature on the DVD offers longer interviews with several politically engaged monks, who intelligently and tragically explain their nation's crisis and their frustrations with lack of United Nations aid. By the end, one wonders why other countries, including the United States, have stood idly by while innocent citizens and holy men beg for help. Ultimately, Burma VJ is not only a rallying cry but also a meditation on the contemporary state of independent media outlets, analyzing what they can and can't achieve as solo endeavors. Essential viewing here. --Trinie Dalton
