French Connection Women's Spotlight Knit Capped Sleeved Dress, Black, 2

• Extremely fitted with a capped sleeve
• Slips on over head runs small so go up one size

FRENCH CONNECTION/FRENCH CONNECTION 2 - DVD MovieFRENCH CONNECTION 2 - Blu-Ray MovieSpotlight knit dress

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Homecoming (Tillerman Series)

• ISBN13: 9780689863615
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"IT'S STILL TRUE."

That's the first thing James Tillerman says to his sister Dicey every morning. It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.

But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.

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Buzby Breakin' All The Rules Hermie and Friends

• Join Hermie and friends in an interactive adventure based on the hit video, BUZBY the Misbehaving Bee. In five engaging activities, children help Lucy match flowers, load the Ferris wheel with the right type of bugs, add scores in the bowling alley, sort items from the Roach Coach, and spell words in Buzby's honeycomb. They'll also collect seeds for an art garden where they can color scene

The game is on and the rules are out as Jamie Foxx, Morris Chestnut, Jennifer Esposito and Gabrielle Union star in this outrageous comedy that rewrites the book of loveJamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a kinder, gentler break-up. His cousin Evan (Morris Chestnut, The! Brothers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposito, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerStudio: Sony Pictures Home Ent Release Date: 12/29/2009Jamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a ki! nder, gentler break-up. His cousin Evan (Morris Chestnut, T! he Broth ers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposito, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerJamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a kinder, gentler break-up. His cousin Evan (Morris Chestnut, Th! e Brothers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposito, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerJoin Hermie and friends in an interactive adventure based on the hit video, BUZBY the Misbehaving Bee. In five engaging activities, children help Lucy match flowers, load the Ferris wheel with the right type of bugs, add scores in the bowling alley, sort items from the Roach Coach, and spell words in Buzby's honeycomb. They'll also ! collect seeds for an art garden where they can color scene
!

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Blow

• There?s no money in a ?real job.? So George Jung deals pot. Lots of it. The blue-collar kid dubbed Boston George spirals up from there, into the riches and excesses of the huge cocaine cartels. And crashes hard. Johnny Depp portrays George, the ambitious outlaw who, perhaps more than any American, transformed powder cocaine from relative obscurity in the U.S. into a 1970s/80s feeding frenzy. Penel

Based on a true story, Blow gives us a fast-paced look at the quick rise and fall of George Jung (Johnny Depp) who became a premier importer of Colombian cocaine, in the turbulent 1970's, forever changing the face of drugs in America.

DVD Features:
Audio Commentary
DVD ROM Features
DVD ROM exclusive web site
Documentary
Filmographies
Music Video
Outtakes
Production Notes
Theatrical Trailer

A bri! skly paced hybrid of Boogie Nights and Goodfellas, Blow chronicles the three-decade rise and fall of George Jung (Johnny Depp), a normal American kid who makes a personal vow against poverty, builds a marijuana empire in the '60s, multiplies his fortune with the Colombian Medellín cocaine cartel, and blows it all with a series of police busts culminating in one final, long-term jail sentence. "Your dad's a loser," says this absentee father to his estranged but beloved daughter, and he's right: Blow is the story of a nice guy who made wrong choices all his life, almost single-handedly created the American cocaine trade, and got exactly what he deserved. As directed by Ted Demme, the film is vibrantly entertaining, painstakingly authentic... and utterly aimless in terms of overall purpose.

We can't sympathize with Jung's meteoric rise to wealth and the wild life, and Demme isn't suggesting that we should idolize a drug dealer. So what, exactl! y, is the point of Blow? Simply, it seems, to present J! ung's st ory as the epitome of the coke-driven glory days, and to suggest, ever so subtly, that Jung isn't such a bad guy, after all. Anyone curious about his lifestyle will find this film amazing, and there's plenty of humor mixed with the constant threat of violence and paranoid anxiety. Demme has also populated the film with a fantastic supporting cast (although Penélope Cruz grows tiresome as Jung's hedonistic wife), and this is certainly a compelling look at the other side of Traffic. Still, one wishes that Blow had a more viable reason for being; like a wild party, it leaves you with a hangover and a vague feeling of regret. --Jeff Shannon

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Changeling

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Clint Eastwood directs Oscar® winner Angelina Jolie and Oscar® nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn't her boy. Driven by one woman's relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever. This emotionally gripping story illustrates the profound power of a mother's love in "a mesmerizing film that burns in the memory" (Peter Travers, Rolling Stone). Starring: Angelina Jolie, John Malkovich, Jeffrey Donovan, Michael Kelly, Colm Feore, Jason Butler Harner, Amy Ryan, Geoff Pierson, Denis O'Hare, Frank Wood Direc! ted by: Clint EastwoodClint Eastwood’s mastery as a director, established over the past decade and a half with Unforgiven, Million Dollar Baby, Letters from Iwo Jima, and others, continues with Changeling, a 2008 offering based on a shocking but all-too-true story about child abduction and police corruption in 1920s Los Angeles. Single mother Christine Collins (Angelina Jolie, excellent in a role with somewhat limited parameters) finds her 9-year-old son, Walter, missing when she returns home from work one day. She files a report with the Los Angeles Police Department, an outfit that was wildly unpopular at the time (in his regular radio broadcast, a crusading pastor played by John Malkovich decries the force as "violent and corrupt," adding that "our protectors are our brutalizers"). When a child roughly matching Walter’s description turns up in Illinois five months later, the LAPD, intent on salvaging its tattered reputation, is onl! y too eager to claim that he is Collins’ missing child. Litt! le matte rs that he’s three inches shorter, is circumcised (Walter wasn’t), and fails to pass muster with Walter’s dentist, schoolteacher, and others; the cops, in particular the odious Captain J.J. Jones (Jeffrey Donovan), insist that the mistake is Christine’s, not theirs. What follows is almost too nightmarish to believe--except that it actually happened. Exasperated by Collins’ continued claim that "Walter" is a fraud, they trot out a doctor to reinforce the bogus ID, declare her unfit as a mother, and finally have her committed to a local psychopathic ward. Through it all, Collins, bolstered by the pastor and thousands of outraged Angelenos, refuses to sign a document that would exonerate the police for their egregious error. As for Walter, it’s only when the LAPD’s seemingly only honest detective (Michael Kelly) takes matters into his own hands that the grisly mystery of the child’s fate begins to be solved. That would have been a good place for the film to conc! lude, too. Unfortunately, it goes on for more than another half hour, with innumerable false endings that add nothing to the story and could just as easily have been summarized with a few sentences before the final credits. That flaw aside (and it’s a major one), Changeling is a powerful film, with a realistic period feel, a wonderfully muted vibe and color palette, and an understated score by Eastwood himself. --Sam Graham

Stills from Changeling (Click for larger image)

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All the Boys Love Mandy Lane

• UK Import
• Blu-ray
• Region-Free

Import only Blu-Ray/Region All pressing. * Please note Region B is printed on the back but it has been inspected to be playable on all regions. Mandy Lane (Amber Heard) is an unattainable object of adolescent lust for all the boys in her high school. Invited on a weekend away to a remote ranch, shy Mandy sees it as a chance to cement some newly formed friendships. The boys see it as a chance to finally get with Mandy. As night falls, joints are rolled, kegs are drunk and pills are popped, with Mandy maintaining a polite distance from all of the debauchery. She thinks the drunken 'come-ons' will be the worst of it all, but she is horrifyingly mistaken. As events take a turn for the worse, it becomes clear that a secret admirer is harboring some terrifying ulterior motives. Smart, sexy and savvy, All The Boys Love Mandy Lane is a gripping horror thr! iller from director Jonathan Levine, winner of the Audience Award at the Sundance Film Festival (2008).

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Divine Intervention

• DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for silent comedy. DIVINE INTERVENTION is not a silent film, but an intensely quiet comedy about daily life in the West Bank and Israel. Suleiman provides a series of not-altogether-related vignettes

At the center of the Middle East conflict, hearts beat in tragic comedy and deadpan irony: a sexy young Palestinian woman defies Israeli soldiers and struts through a check-point as if it were the catwalk of a fashion show, Santa Claus is chased up the sun-drenched hills of Nazareth by a gang of knife-wielding school kids, Israeli police use a blindfolded prisoner to provide directions to tourists in Jerusalem, a Palestinian collaborator casually extinguishes his firebombed house on a daily basis, and a fem! ale ninja descends from the sky, holding the map of ‘Palestine’ as her battle shield. These are but a few of the provocative images that filmmaker Elia Suleiman puts forth in his critically-acclaimed satire chronicling the absurdities of life and love on both sides of the Palestinian-Israeli border, DIVINE INTERVENTION.

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Beauty and the Beast

• the beauty and the beast
• Belle
• Picture frame
• photo frame
• bell photo frame

This "tale as old as time" follows the adventures of Belle, a bright young woman who finds herself imprisoned in the castle of a mysterious beast. With the assistance of the castle's enchanted staff, a delightful and tender romance develops between these two unlikely friends and Belle soon learns the most important lesson of all â€" that true beauty comes from within.The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is! too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or una! vailable edition of this title.

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