Monday, November 7, 2011

Alice in Wonderland

  • Size approx 14" from head to feet
  • officially licensed Disney plush doll
Alice In Wonderland - The Classic by Lewis CarrollSource of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without! moral or sense.

For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie CoulterTumble down the rabbit hole with Alice for a fantastical new adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old, returns to the whimsical world she first entered as a chil! d and embarks on a journey to discover her true destiny. This ! Wonderla nd is a world beyond your imagination and unlike anything you ve seen before. The extraordinary characters you ve loved come to life richer and more colorful than ever. There s the Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience Alice In Wonderland is an incredible feast for your eyes, ears and heart that will captivate audiences of all sizes.Tim Burton was born to bring Alice in Wonderland to the big screen. Ironically, his version of the Victorian text plays more like The Wizard of Oz than a Lewis Carroll adaptation. On the day of her engagement party, the 19-year-old Alice (a nicely understated Mia Wasikowska) is lead by a white-gloved rabbit to an alternate reality that looks strangely familiar--she's been dreaming about it since she was 6 years old. Stranded in a hall of doors, she sips from a potion that makes her shrink and nibble! s on a cake that makes her grow. Once she gets the balance right, she walks through the door that leads her to Tweedledum and Tweedledee (Matt Lucas), the Dormouse (Barbara Windsor), the Blue Caterpillar (Alan Rickman), and the Cheshire Cat (a delightful Stephen Fry), who inform her that only she can free them from the wrath of the Red Queen (Helena Bonham Carter channeling Bette Davis) by slaying the Jabberwocky. To pull off the feat, she teams up with the Mad Hatter (Johnny Depp in glam-rock garb), rebel bloodhound Bayard (Timothy Spall), and Red's sweet sister, the White Queen (Anne Hathaway in goth-rock makeup). While Red welcomes Alice with open arms, she plans an execution for the hat-maker when he displeases her ("Off with his head!"). Drawing from Alice's Adventures in Wonderland and Through the Looking-Glass, Burton creates a candy-colored action-adventure tale with a feminist twist. If it drags towards the end, his 3-D extravaganza still offers a tri! ppy good time with a poignant aftertaste. --Kathleen C. Fen! nessy

Stills from Alice in Wonderland


!

Lackawanna Blues

  • Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is
DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from ! his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn! 's Finest).This family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama be! gins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimber! ly HeinrichsEVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActr! ess Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonBased on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational sto! ry of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in Da Noise, Bring in Da Funk) is apparent; adapted by scriptwriter Ruben Santiago-Hudson from his! own autobiographical play, Lackawanna Blues is less a ! story th an a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to overlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhom! e country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Evil Dead 2 Swallow This Chainsaw Mens T-shirt M

  • This product is professionally printed and officially licensed.
Ash (Bruce Campbell), the sole survivor of THE EVIL DEAD, returns to the same cabin in the woods and again unleashes the forces of the dead. With his girlfriend possessed by the demons and his body parts running amok, Ash is forced to single- handedly battle the legions of the damned as the most lethal â€" and groovy â€" hero in horror movie history! Welcome to EVIL DEAD II, director Sam Raimi’s infamous sequel to THE EVIL DEAD and outrageous prequel to ARMY OF DARKNESS!Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror gen! re. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-! the-top comic gross-out films like Peter Jackson's Dead Ali! ve. --Dave McCoyAsh (Bruce Campbell), the sole survivor of The Evil Dead, continues his struggle with the forces of the dead. With his girlfriend possessed by demons and his body parts runnning amok, Ash is forced to single-handedly battle the legions of the damned as the most lethal -- and groovy -- hero in horror movie history!

Welcome to Evil Dead II: Dead by Dawn, director Sam Raimi's infamous sequel to The Evil Dead and outrageous prequel to Army of Darkness! This unhinged horror classic is now fully remastered in state-of-the-art Dolby Digital 5.1 supervised by THX and packed with extras. So, sit back, strap in and rev up the chainsaw: Evil Dead II has returned...like you've never seen or heard it before!Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations! , zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although ! it went unnoticed in the theaters, the film has since become a! n influe ntial cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoyEVIL DEAD II - Blu-Ray MovieWriter-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernat! ural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoyAsh (Bruce Campbell), the sole survivor of The Evil Dead, continues his struggle with the forces of the dead. With his girlfriend possessed by demons and his body parts runnning amok, Ash is forced to single- handedly battle the legions of the damned as the most lethal -- and groovy -- hero in horror movie history! Welcome to Evil Dead II: Dead by Dawn, directo! r Sam Raimi's infamous sequel to The Evil Dead and outrageou! s preque l to Army of Darkness!Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting! his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoyAsh (Bruce Campbell), the sole survivor of THE EVIL DEAD, returns to the same cabin in the woods and again unleashes the forces of the dead. With his girlfriend possessed by the demons and his body parts running amok, Ash is forced to single- handedly battle the legions of the damned as the most lethal â€" and groovy â€" hero in horror movie history! Welcome to EVIL DEAD II, director Sam Raimi’s infamous sequel to THE EVIL DEAD and outrageous prequel to ARMY OF DARKNESS!Writer-director Sam Raimi's extremely! stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effe! cts and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoy

In the dank cellar of the dilapadated cabin tucked away in the great forest, there is a book bound in human skin and filled with incantations writ in blood. To read the words therein is to release a hideously unspeakable force...

Rigorously made on an almost absent budget in the backwoods of Tennessee, the film was a phenomenal success--the true definition of "cult film"--launching the careers of its director, Sam Raimi; producer, Bob Tapert; and star, Bruce Campbell. It also spawned two deliriously different and wildly inventive sequels, The Evil Dead II: Dead By Dawn, and Army of Darkness, which have won over leg! ions of fright fans around the globe.

At last, acclai! med film critic Bill Warren takes us on a no-holds-barred behind-the-scenes tour of the making of the three films, including exclusive interviews with key cast and crew; rare and previously unpublished photographs, story-boards, and concept sketches; harrowing tales of hardship, discomfort, and practical jokes; and much more. Enough to keep any puss-oozing deadite drooling through the night.
Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Sever! al teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoyWriter-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a! remake on a better budget. It also isn't really a horror film! (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever ! (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoyAfter Henrietta continuously told Ash I'll swallow your soul, his reply was Swallow This! This Evil Dead 2 shirt features that quote along with his shotgun and chain saw.

Sunday, November 6, 2011

The Hangover: Part II Movie Monkey Poster Print - 11x17

  • decorate your walls with this brand new poster
  • easy to frame and makes a great gift too
  • ships quickly and safely in a sturdy protective tube
  • measures 11.00 by 17.00 inches (27.94 by 43.18 cms)
Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifi anakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu's wedding. What could go wrong? Director Todd Phillips' explosively funny follow-up to his award-winning smash hit demonstrates that though what happens in Vegas may stay in Vegas, what happens in Bangkok can hardly be imagined! Just when you were starting to sober up after The Hangover… along comes The Hangover Part II--a deft dose of hair of the dog that will keep fans of the original screaming with laughter once again. Director Todd Phillips brings back his great cast--Bradley Cooper, Zach Galifianakis, Justin Bartha, and Ed Helms for anot! her splendid exercise in debauchery--and its painful aftermath. And perhaps surprisingly, The Hangover Part II keeps the laugh levels high. While the element of surprise is not here in the sequel, writer Craig Mazin, Scot Armstrong, and Phillips have upped the shock factor, resulting in humor that's sometimes not exactly politically correct, but is fall-down funny anyway. In The Hangover Part II, Stu (Helms) is marrying a Thai-American woman (Jamie Chung), and the entire wedding party is flying to Thailand for the ceremony. Quicker than you can say "bachelor brunch," the boys are off on some kind of mystery adventure that results in some pretty serious, and pretty hilarious repercussions. (There's an unfortunate tattoo incident, one not easily covered up; there's an unexplained monkey--in a Rolling Stones shirt--now added to the entourage; and one of the group is missing.) The setup is familiar, but the ensemble of actors is so confident, their chemistry so ea! sy, that the viewer enjoys their long, strange trip with bust-! out-loud laughs. And you can't ask for much more in a buddy comedy. --A.T. HurleyPhil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifi anakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu's wedding. What could go wrong? Director Todd Phillips' explosively funny follow-up to his award-winning smash hit demonstrates that though what happens in Vegas may stay in Vegas, what happens in Bangkok can hardly be imagined! Just when you were starting to sober up after The Hangover… along comes The Hangover Part II--a deft dose of hair of the dog that will keep fans of the original screaming with laughter once again. Director Todd Phillips brings back his great cast--Bradley Cooper, Zach Galifianakis, Justin Bartha, and Ed Helms for another splendid exercise in debauchery--and its painful aftermath. And perhaps surprisingly, The Hangover Part II keeps the laugh levels high. While the element of surprise is not here in the sequel, writer Craig Mazi! n, Scot Armstrong, and Phillips have upped the shock factor, resulting in humor that's sometimes not exactly politically correct, but is fall-down funny anyway. In The Hangover Part II, Stu (Helms) is marrying a Thai-American woman (Jamie Chung), and the entire wedding party is flying to Thailand for the ceremony. Quicker than you can say "bachelor brunch," the boys are off on some kind of mystery adventure that results in some pretty serious, and pretty hilarious repercussions. (There's an unfortunate tattoo incident, one not easily covered up; there's an unexplained monkey--in a Rolling Stones shirt--now added to the entourage; and one of the group is missing.) The setup is familiar, but the ensemble of actors is so confident, their chemistry so easy, that the viewer enjoys their long, strange trip with bust-out-loud laughs. And you can't ask for much more in a buddy comedy. --A.T. HurleyPhil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifi anakis) and Do! ug (Justin Bartha) travel to exotic Thailand for Stu's wedding! . What c ould go wrong? Director Todd Phillips' explosively funny follow-up to his award-winning smash hit demonstrates that though what happens in Vegas may stay in Vegas, what happens in Bangkok can hardly be imagined! Just when you were starting to sober up after The Hangover… along comes The Hangover Part II--a deft dose of hair of the dog that will keep fans of the original screaming with laughter once again. Director Todd Phillips brings back his great cast--Bradley Cooper, Zach Galifianakis, Justin Bartha, and Ed Helms for another splendid exercise in debauchery--and its painful aftermath. And perhaps surprisingly, The Hangover Part II keeps the laugh levels high. While the element of surprise is not here in the sequel, writer Craig Mazin, Scot Armstrong, and Phillips have upped the shock factor, resulting in humor that's sometimes not exactly politically correct, but is fall-down funny anyway. In The Hangover Part II, Stu (Helms) is marrying a Th! ai-American woman (Jamie Chung), and the entire wedding party is flying to Thailand for the ceremony. Quicker than you can say "bachelor brunch," the boys are off on some kind of mystery adventure that results in some pretty serious, and pretty hilarious repercussions. (There's an unfortunate tattoo incident, one not easily covered up; there's an unexplained monkey--in a Rolling Stones shirt--now added to the entourage; and one of the group is missing.) The setup is familiar, but the ensemble of actors is so confident, their chemistry so easy, that the viewer enjoys their long, strange trip with bust-out-loud laughs. And you can't ask for much more in a buddy comedy. --A.T. HurleyThe Soundtrack contains twelve songs from the film along with eight hilarious sound bites fans will be quoting for years to come. Among the songs included on the album are Ed Helms' "Allentown," a new song in the spirit of his incredibly popular "Stu's Song" from the soundtrack of 2009's s! mash hit "The Hangover." Additional new music includes a song! from Da nzig, along with music from the Ska Rangers, who are featured in the film, Kanye West, Mark Lanegan, Deadmau5, Wolfmother, and more. The Hangover: Part II Movie Monkey Poster Print - 11x17

An American Haunting: The Bell Witch

  • ISBN13: 9780312363536
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Known throughout Tennessee as "Old Kate," the Bell Witch took up residence with John Bell's family in 1818. It was a cruel and noisy spirit, given to rapping and gnawing sounds before it found its voices.

With these voices and its supernatural acts, the Bell Witch tormented the Bell family. This extraordinary book recounts the only documented case in U.S. history when a spirit actually caused a man's death.

The local schoolteacher, Richard Powell, witnessed the strange events and recorded them for his daughter. His astonishing manuscript fell into the hands of novelist Brent Monahan, who has prepared the book for publication. Members of the Bell family have previously provided in! formation on this fascinating case, but this book recounts the tale with novelistic vigor and verve. It is truly chilling.

The Go-Getter

  • GO GETTER, THE (DVD MOVIE)
ALL THE REAL GIRLS - DVD MovieYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someo! ne's first love recalled with fondness and just a bit of regret. --Robert HortonYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled with fondness and just a bit! of regret. --Robert HortonSometimes you find love wher! e you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask the question: What's so wrong with being happy?To some, Lars and the Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be more miserable. His brother, Gus (Paul Schneider, All the Real Girls), and sister-in-law, Karin (Emily Mortimer, Love! ly and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; he’s been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including Margo (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by Six Feet Under's Nancy Oliver, Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortunately, the actors play it straight. Gosling does his b! est to make Lars sympathetic, but Schneider and Mortimer, full! y convin cing in their concern, are the true heart and soul of this odd little film. --Kathleen C. Fennessy


Beyond Lars and the Real Girl


More from Ryan Gosling

Lars and the Real Girl Soundtrack

More Comedies from MGM


Stills from Lars and the Real Girl







You'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship! . It's an impressionistic style aided by the wonderfully spont! aneous a nd unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled with fondness and just a bit of regret. --Robert HortonFabulous, fashionable and completely “hot,” The Real L Word is reality TV that only Showtime can bring you. Meet six of the most gorgeous, powerful, and fascinating lesbians of LA. They live life within the glamorous inner circle of Hollywood and no matter who you are, it won’t be long until you’re caught up in their drama.When a teenager s mother dies, his road trip in a stolen car to reunite with his long lost brother unexpectedly becomes a fun roller-coaster of self-discovery.

Saturday, November 5, 2011

Beyond a Reasonable Doubt

  • BEYOND A REASONABLE DOUBT (DVD MOVIE)
High profile lawyer, Martin Hunter (Michael Douglas) has an impeccable record putting criminals behind bars and is a shoo-in for governor in the upcoming election. But when ambitious rookie journalist, C.J. Nicholas (Jesse Metcalfe) begins investigating Hunter for tampering with evidence to secure his convictions, the district attorney’s perfect record is up for scrutiny. Commencing a risky game of cat and mouse with Hunter, C.J. frames himself as a murder suspect to catch the corrupt D.A. in the act.


Stills from Beyond a Reasonable Doubt (Click for larger image)

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An ambitious reporter takes an extraordinary risk to bring down a corrupt district attorney in Beyond a Reasonable Doubt, a modern-day remake of Fritz Lang's final feature. On occasion, Shreveport newsman C.J. (Jesse Metcalfe, Desperate Housewives) receives confidential tips from assistant D.A. Ella (Amber Tamblyn, Joan of Arcadia), but Ella hesitates to go out with him due to the conflict of interest. It doesn't help that he considers her boss, gubernatorial candidate Martin Hunter (Michael Douglas, whose performance recalls Wall Street's Gordon Gekko), "too smooth," adding, "I'm not sure he's honest," but she eventually yields to C.J.'s charms (hey, it worked for Gabrielle Solis). Little does she realize that he plans to expose Hunter as a fraud--by framing himself for an unsolved murder. C.J. figures if he teams up with cameraman Finley (Joel Moore), he can't lose, but he never stops to consider the consequenc! es if something happens to Finley or the video that proves his innocence. So, the trial proceeds, but once Hunter gets wind of the scheme, he goes after C.J. with all his might. Ella is the only one who can help him, but to do so means to put her career--maybe even her life--on the line. There's a nasty twist at the end of this entertaining, if shallow, courtroom drama, and director/cinematographer Peter Hyams, who previously worked with Douglas on The Star Chamber, sprinkles the suspense with some tension-relieving zingers from Orlando Jones as a cop who suspects something fishy is afoot. --Kathleen C. Fennessy

Artie Lange's Beer League featuring Artie Lange & Ralph Macchio

  • Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winning not only the league trophy but a new life are co
Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. Starring Artie Lange and Ralph Macchio. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winningâ€"not only the league trophy but a new lifeâ€"are considerably amped along with the comedy and chaos.It's! appropriate that this extravaganza of lowbrow cinema had its premiere at the 2006 Cinevegas Film Festival, because what happens in Artie Lange's Beer League should stay in Artie Lange's Beer League. Lange is most recognizable for his stint in the Mad TV ensemble, but probably more idolized by the people who will get wild kicks from his leading man debut as the resident guest-baiter and booze/scatological/flatulence/sex joke expert on Howard Stern's radio show. Those are the same kinds of laughs this movie relies on in telling the wisp of a story about a bunch of New Jersey boneheads whose lives are fulfilled by softball games and the beer-guzzling that goes on before, during, and after. Artie's team is proud to be in the bottom ranks of their league, especially when brawls erupt at games against their slick, archrival team. Artie and the rest of his team know these arrogant jerks in their immaculate black (of course) uniforms are unbeatable, so it's on! ly natural that Artie thinks its easier to just beat the hell ! out of t hem. The local cop who's had to deal with both teams finally gets so angry with the escalating brawls that he issues an ultimatum: Whichever team loses the season has to disband and never play on the league again. It's kind of an utterly tasteless version of The Bad News Bears for people who like their movies vulgar, offensive, misogynistic, and often really funny in spite of it all. Some of the subplots and supporting players include Ralph Macchio as one of Artie's childhood friends who's about to get married (cue depraved bachelor party scene with lots of topless babes), Mary Birdsong from Reno 911! as a kooky waitress, and a delightful turn by crusty character actor Seymour Cassel as Artie's teammate Dirt, who may be old but loves booze, fisticuffs, and debauchery as much as anyone. For some reason, Artie's foul-mouthed slobbery attracts a local Jersey girl (Cara Buono), even though he's jobless and still lives with his mom (Laurie Metcalf, who should get so! me kind of good sport award). The buffoonery doesn't just stop with the movie. There's also more than two hour of bonus material tailored for Artie Lange enthusiasts who probably number more than you'd think -- whether they'd ever admit it or not. --Ted Fry

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